"Ich fahre auf zu meinem Vater, TWV 1:825: V. Aria "Mein Schifflein treibet auf den Wellen"" by Georg Philipp Telemann, Vox Luminis, Freiburger Barockorchester, Lionel Meunier, Raphael Höhn was released on March 15, 2024. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Since Telemann: Ich fahre auf zu meinem Vater, TWV 1:825: V. Aria "Mein Schifflein treibet auf den Wellen" only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from France. Ich fahre auf zu meinem Vater, TWV 1:825: V. Aria "Mein Schifflein treibet auf den Wellen" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ich fahre auf zu meinem Vater, TWV 1:825: V. Aria "Mein Schifflein treibet auf den Wellen" by Georg Philipp Telemann, Vox Luminis, Freiburger Barockorchester, Lionel Meunier, Raphael Höhn having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Atys, LWV 53, Prologue: Air pour la suite de Melpomène | Jean-Baptiste Lully, Les Talens Lyriques, Christophe Rousset | B♭ Major | 2 | 6B | 119 BPM | ||
6 Concerts transcrits en sextuor / 3e Concert: 1. La Poplinière | Jean-Philippe Rameau, Les Talens Lyriques, Christophe Rousset | F Minor | 3 | 4A | 100 BPM | ||
Concerto Grosso in C Minor, Op. 1 No. 11: IV. Giga. Allegro | Pietro Locatelli, Isabelle Faust, Il Giardino Armonico, Giovanni Antonini | C Minor | 3 | 5A | 69 BPM | ||
Missa Charitatis, ZWV 10: Gloria in excelsis Deo | Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora | A♭ Major | 3 | 4B | 101 BPM | ||
Ingemisco | Giovanni Legrenzi, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | G Major | 0 | 9B | 105 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 3: Ballo: I. Grazioso | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Stabat Mater, P. 77: I. Stabat mater dolorosa | Giovanni Battista Pergolesi, Shira Patchornik, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | ||
Membra Jesu Nostri, BuxWV 75, Ad genua: Aria "Salve Jesu, rex sanctorum" | Dietrich Buxtehude, Philippe Pierlot, Ricercar Consort, Jeffrey Thompson | C Minor | 2 | 5A | 90 BPM | ||
Motettum de tempore: III. Recitativo. Inter tanta pericla | František Tůma, Andreas Scholl, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM | ||
The Gordion Knot Unty'd, Z. 597: Second Music: Air | Henry Purcell, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 91 BPM |
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