"Romanze, Op. 42" by Max Bruch, Salvatore Accardo, Gewandhausorchester, Kurt Masur was released on January 1, 1979. Romanze, Op. 42 appears to be safe for all ages as it is not explicit. The song is number 8 out of 8 in Bruch: Violinkonzert by Max Bruch, Salvatore Accardo, Gewandhausorchester, Kurt Masur. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Romanze, Op. 42 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Romanze, Op. 42 by Max Bruch, Salvatore Accardo, Gewandhausorchester, Kurt Masur is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Violin and Strings in B flat , Op. 7/9 , RV 373: 1. Allegro | Antonio Vivaldi, Salvatore Accardo, I Musici | C Minor | 1 | 5A | 104 BPM | ||
Serenade for String Orchestra, Op. 20: II. Larghetto | Edward Elgar, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | B♭ Major | 8 | 6B | 100 BPM | ||
La damnation de Faust, Op. 24, Part II: Ballet des syphes (Dance of the Spirits) | Hector Berlioz, Hungarian National Philharmonic, Ádám Fischer | D Major | 0 | 10B | 80 BPM | ||
Piano Concerto No. 1 in G Minor, Op. 25, MWV O7: I. Molto allegro con fuoco - Live | Felix Mendelssohn, Yuja Wang, Verbier Festival Orchestra, Kurt Masur | G Minor | 2 | 6A | 80 BPM | ||
Thaïs / Act 2: Méditation | Jules Massenet, Joshua Bell, Royal Philharmonic Orchestra, Andrew Litton | E Minor | 1 | 9A | 77 BPM | ||
Symphony No.7 In E Major, WAB 107 - Ed. Haas: 3. Scherzo. Sehr schnell - Trio. Etwas langsamer - Live | Anton Bruckner, Gewandhausorchester Leipzig, Andris Nelsons | F Major | 1 | 7B | 77 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | E♭ Major | 0 | 5B | 79 BPM | ||
Violin Concerto No.2 In B Minor, Op.7, MS.48: 1. Allegro maestoso - Cadenza: Salvatore Accardo | Niccolò Paganini, Salvatore Accardo, Emile Sauret, London Philharmonic Orchestra, Charles Dutoit | B Minor | 1 | 10A | 111 BPM | ||
Symphony No. 1 in D Major "Titan": III. Feierlich und gemessen, ohne zu schleppen | Gustav Mahler, Leonard Bernstein, New York Philharmonic | A♭ Major | 0 | 4B | 72 BPM | ||
Violin Concerto No.8 in A minor, Op.47 (Im Form einer Gesangsszene): 2. Adagio - Andante | Louis Spohr, Hilary Hahn, Swedish Radio Symphony Orchestra, Eije Oue | F Major | 0 | 7B | 94 BPM |
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