"The Vanishing Bridegroom, Act III: The Priest Marks a Circle" by Judith Weir, Stephen Jeffes, Andrew Tortise, BBC Singers, BBC Symphony Orchestra, Martyn Brabbins had its release date on September 2, 2014. The duration of This song is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. The Vanishing Bridegroom, Act III: The Priest Marks a Circle's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wier: The Vanishing Bridegroom by Judith Weir, Various Artists, Martyn Brabbins, BBC Symphony Orchestra. The song's track number on the album is #8 out of 46 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. The Vanishing Bridegroom, Act III: The Priest Marks a Circle is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since The Vanishing Bridegroom, Act III: The Priest Marks a Circle by Judith Weir, Stephen Jeffes, Andrew Tortise, BBC Singers, BBC Symphony Orchestra, Martyn Brabbins has a tempo of 59 beats per a minute, the tempo markings of this song would be Lento (slowly). With The Vanishing Bridegroom, Act III: The Priest Marks a Circle being at 59 BPM, the half-time would be 30 BPM with a double-time of 118 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lead Me On | Brian A. Schmidt, Westminster Williamson Voices, James Jordan | E Major | 1 | 12B | 94 BPM | ||
O Jesu Christe | Jakob van Berchem, Chœur "Cantabile" de la Cathédrale de Reims, Orchestre de Chambre Arsène Muzerelle, Arsène Muzerelle | G Major | 1 | 9B | 80 BPM | ||
Six chansons: I. La biche | Paul Hindemith, Ensemble vocal Aedes, Mathieu Romano | E Major | 1 | 12B | 120 BPM | ||
Israel in Egypt, HWV 54, Pt 3. "Moses' Song": IX. Who is like unto thee (Chorus) | George Frideric Handel, Apollo's Fire, Jeannette Sorrell, Apollo's Singers | B Major | 4 | 1B | 110 BPM | ||
A Child of our Time, Part I: Chorus of the Oppressed. When shall the usurer's city cease? (Chorus) | Michael Tippett, BBC Symphony Chorus, BBC Symphony Orchestra, Andrew Davis | E Minor | 1 | 9A | 141 BPM | ||
Farewell the Bliss | The Royal Wind Music | B♭ Minor | 1 | 3A | 91 BPM | ||
Trois chansons M. 69: II. Trois beaux oiseaux du paradis | Maurice Ravel, Netherlands Chamber Choir | E Major | 3 | 12B | 78 BPM | ||
2 Sacred Songs: No. 1, Alleluia | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | B♭ Major | 0 | 6B | 138 BPM | ||
Ettrick Banks | Judith Weir, Thomas Corns | B Major | 0 | 1B | 84 BPM | ||
Be Still and Know That I Am God | Oasis Chorale, Wendell Nisly | D Major | 1 | 10B | 132 BPM |