Sergei Prokofiev, Laurent Cabasso's 'Visions fugitives, Op. 22: No. 7, [Harpa] Pittoresco' came out on January 1, 1992. With Visions fugitives, Op. 22: No. 7, [Harpa] Pittoresco being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 27 in the song's album "Prokofiev: Visions fugitives (Piano Steinway)". In this album, this song's track order is #11. Furthermore, we believe that the track originated from France. In terms of popularity, Visions fugitives, Op. 22: No. 7, [Harpa] Pittoresco is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Visions fugitives, Op. 22: No. 7, [Harpa] Pittoresco by Sergei Prokofiev, Laurent Cabasso having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Shéhérazade, Op. 35: III. The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | G Major | 0 | 9B | 103 BPM | ||
Prokofiev: Cinderella, Op. 87, Act 1: No. 12, The Spring Fairy (Presto) | Sergei Prokofiev, André Previn, London Symphony Orchestra | C Major | 1 | 8B | 82 BPM | ||
In Autumn, Op.11 | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | A Minor | 1 | 8A | 109 BPM | ||
The Rite of Spring, Part 2: VI. Sacrificial Dance | Igor Stravinsky, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | D Minor | 5 | 7A | 139 BPM | ||
Beethoven: Symphony No. 5 in C Minor, Op. 67: IV. Allegro - Presto | Ludwig van Beethoven, Kurt Masur, New York Philharmonic | C Major | 2 | 8B | 89 BPM | ||
Symphony No. 10 in E Minor, Op. 93: II. Allegro | Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | B♭ Minor | 6 | 3A | 89 BPM | ||
Don Giovanni, K.527: Overture | Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 1 | 10B | 129 BPM | ||
The Firebird (L'oiseau De Feu) - Suite (1919): Finale | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | E Major | 2 | 12B | 78 BPM | ||
Prokofiev: Romeo and Juliet (Complete Ballet), Op. 64, Act 1: No. 15, Mercutio | Sergei Prokofiev, André Previn, London Symphony Orchestra | A♭ Major | 2 | 4B | 152 BPM | ||
Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 60 BPM |
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