Requiem in D Minor, K. 626: III. Sequentia: Dies Irae - Wolfgang Amadeus Mozart, Nikolaus Harnoncourt, Concentus Musicus Wien Information

Acousticness: 92%
Danceability: 40%
Energy: 24%
Instrumentalness: 39%
Liveness: 56%
Loudness: 72%
Speechiness: 3%
Valence: 30%
Popularity: 16%
Loudness: -16.929 dB

Summary

Wolfgang Amadeus Mozart, Nikolaus Harnoncourt, Concentus Musicus Wien's 'Requiem in D Minor, K. 626: III. Sequentia: Dies Irae' came out on July 12, 2004. With Requiem in D Minor, K. 626: III. Sequentia: Dies Irae being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Wolfgang Amadeus Mozart, Nikolaus Harnoncourt's "Mozart: Requiem" album is number 3 out of 14. On top of that, Germany appears to be the country where this track was created. Requiem in D Minor, K. 626: III. Sequentia: Dies Irae is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Requiem in D Minor, K. 626: III. Sequentia: Dies Irae BPM

We consider the tempo marking of Requiem in D Minor, K. 626: III. Sequentia: Dies Irae by Wolfgang Amadeus Mozart, Nikolaus Harnoncourt, Concentus Musicus Wien to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Requiem in D Minor, K. 626: III. Sequentia: Dies Irae Key

The music key of this track is G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Romance in F Major, Op. 50	Ludwig van Beethoven, Charlie Siem, Philharmonia Orchestra, Oleg Caetani	F Major	1	7B	114 BPM
Bach, JS / Orch. Marriner: Was mir behagt, ist nur die muntre Jagd, BWV 208 "Jagdkantate": IX. Aria. "Schafe können sicher weiden"	Johann Sebastian Bach, Sir Neville Marriner, Academy of St. Martin in the Fields, Ian Watson	D Major	3	10B	99 BPM
Grieg: Holberg Suite, Op. 40: IV. Air (Piano Version)	Edvard Grieg, Cyprien Katsaris	G Minor	0	6A	75 BPM
Violin Concerto in B Minor, Op. 3 No. 10, RV. 580: I. Allegro	Yehudi Menuhin	C Major	2	8B	74 BPM
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato	Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs	D Minor	1	7A	112 BPM
Ouverture in D Major, "Darmstadt": Harlequinade	Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl	D♭ Major	1	3B	174 BPM
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro	Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach	C Minor	4	5A	106 BPM
Piano Sonata No. 14 In C Minor, K. 457: III. Allegro Assai	Jenő Jandó, Wolfgang Amadeus Mozart	C Minor	1	5A	78 BPM
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo)	Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein	G Minor	0	6A	81 BPM
Mendelssohn: Violin Concerto in E Minor Op. 64: I. Allegro molto appassionato	Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig	E Minor	2	9A	101 BPM

ISRC: DEE470400096
Label: L-M Records/RCA Records

Section: 0.6828100681304932

End: 0.687105655670166