Ignaz Pleyel, Anne Angerer, Stuttgart Radio Symphony Orchestra, Hanno Donneweg, Manuel Fischer-Dieskau, Gaby Pas-Van Riet, Konstanze Brenner, Gunter Teuffel, Mila Georgieva, Michael Salm, Johannes Moesus's ' "Symphonie Concertante in F Major, Ben. 113: III. Variation 4" was released on its scheduled release date, April 1, 2014. With This song being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 18 in the song's album "Pleyel: Symphonies Concertantes - Bassoon Concerto". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Germany. Based on our statistics, Symphonie Concertante in F Major, Ben. 113: III. Variation 4's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Symphonie Concertante in F Major, Ben. 113: III. Variation 4 by Ignaz Pleyel, Anne Angerer, Stuttgart Radio Symphony Orchestra, Hanno Donneweg, Manuel Fischer-Dieskau, Gaby Pas-Van Riet, Konstanze Brenner, Gunter Teuffel, Mila Georgieva, Michael Salm, Johannes Moesus having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Clara Aurora, para tiple, oboes, trompas, violines y acompañamiento: Aria de Concepción | Jaime Balius, Ignaz Pleyel, Maria Hinojosa, Vanni Moretto, Orquesta Barroca de Sevilla | B♭ Major | 1 | 6B | 74 BPM | ||
Sinfonia concertante in F Major, Op. 38: III. Adagio | Franz Krommer, Orchestra della Svizzera Italiana, Howard Griffiths, Bruno Grossi, Marco Schiavon, Robert Kowalski | B♭ Major | 1 | 6B | 177 BPM | ||
Keyboard Sonata in E-Flat Major, Op. 1 No. 1: I. Allegro con comodo | Muzio Clementi, HyeJin Kim | F Major | 1 | 7B | 112 BPM | ||
Duo No. 2 for Violin and Viola in D Minor: III. Rondo. Allegro | Carl Stamitz, Gabriela Demeterová | D Major | 1 | 10B | 141 BPM | ||
Les Danaïdes, Acte I Scène 1: Air de danse | Antonio Salieri, Les Chantres du Centre de Musique Baroque de Versailles, Olivier Schneebeli, Les Talens Lyriques, Christophe Rousset | F Major | 4 | 7B | 72 BPM | ||
Streichquartett B-Dur, op. 130: IV. Alla danza tedesca - Allegro assai | Ludwig van Beethoven, Philharmonia Quartet Berlin | G Major | 1 | 9B | 173 BPM | ||
Sinfonia in D major "Die Bauernhochzeit" (Peasant Wedding): 3. Andante | Leopold Mozart, Ensemble Eduard Melkus, Eduard Melkus | F Major | 0 | 7B | 94 BPM | ||
La fiancée, S. 17: Act III Entr'acte | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | A Minor | 0 | 8A | 120 BPM | ||
Der Fischer und das Milchmädchen: II. Air de Chasse | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
18 German Dances & Ecossaises, Op. 33, D. 783: No. 3, Tanz III - No. 4, Tanz IV - No. 5, Tanz V (Arr. for Orchestra by Johann Ritter von Herbeck) | Franz Schubert, Munich Radio Orchestra, Oscar Jockel | D Major | 0 | 10B | 91 BPM |