Giacomo Puccini, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly made "Corazzata Sicilia (On themes from "La Bohème")" available on January 1, 2004. The duration of Corazzata Sicilia (On themes from "La Bohème") is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Corazzata Sicilia (On themes from "La Bohème")'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Puccini Discoveries". In this album, this song's track order is #6. Based on our statistics, Corazzata Sicilia (On themes from "La Bohème")'s popularity is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Corazzata Sicilia (On themes from "La Bohème") by Giacomo Puccini, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Bohème / Act 3: "Sa dirmi, scusi" | Giacomo Puccini, Mirella Freni, Hans-Dieter Appell, Hans-Dietrich Pohl, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 0 | 3B | 95 BPM | ||
Respighi: Pini di Roma, P. 141: IV. I pini della Via Appia | Ottorino Respighi, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | B Major | 1 | 1B | 120 BPM | ||
Pagliacci / Prologue: Prelude..."Si può? Signore! Signori!" | Ruggero Leoncavallo, Ingvar Wixell, National Philharmonic Orchestra, Giuseppe Patanè | G Major | 2 | 9B | 79 BPM | ||
La Strada - Balletto / II. Strada di campagna: 3. Allegretto tranquillo | Nino Rota, Giuseppe Grazioli, Orchestra Sinfonica di Milano Giuseppe Verdi | F♯ Minor | 1 | 11A | 129 BPM | ||
Tosca, SC 69: Mario Cavaradossi? ... E lucevan le stelle | Giacomo Puccini, Jonathan Tetelman, Önay Köse, PKF – Prague Philharmonia, Carlo Rizzi | B Minor | 1 | 10A | 136 BPM | ||
Andrea Chénier / Act 4: "Come un bel dì di maggio" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | E♭ Major | 3 | 5B | 89 BPM | ||
Mascagni: Cavalleria rusticana: No. 7, Intermezzo (Orchestral Interlude) | Pietro Mascagni, Studio 2 Symphony Orchestra, Vilem Tausky | F Major | 1 | 7B | 83 BPM | ||
Das Liebesverbot: Overture | Richard Wagner, Staatskapelle Dresden, Giuseppe Sinopoli | G Major | 6 | 9B | 120 BPM | ||
Turandot, Act III: Nessun dorma (arr. for orchestra) | Anonymous , Giacomo Puccini, Sofia Philharmonic Orchestra, Emil Tabakov | D Major | 1 | 10B | 85 BPM | ||
Madama Butterfly: Tu, tu, piccolo iddio | Giacomo Puccini, Leontyne Price, Oliviero de Fabritiis, Orchestra Del Teatro Dell'Opera Di Roma, Wiener Philharmoniker | B Minor | 3 | 10A | 97 BPM |
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