"Mascagni: Cavalleria rusticana: No. 7, Intermezzo (Orchestral Interlude)" by Pietro Mascagni, Studio 2 Symphony Orchestra, Vilem Tausky was released on 1988. The duration of Mascagni: Cavalleria rusticana: No. 7, Intermezzo (Orchestral Interlude) is about 3 minutes long, at 3:29. Based on our data, "Mascagni: Cavalleria rusticana: No. 7, Intermezzo (Orchestral Interlude)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 33 in the song's album "The Classic Experience". In this album, this song's track order is #15. Mascagni: Cavalleria rusticana: No. 7, Intermezzo (Orchestral Interlude) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Mascagni: Cavalleria rusticana: No. 7, Intermezzo (Orchestral Interlude) by Pietro Mascagni, Studio 2 Symphony Orchestra, Vilem Tausky having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 5 in C Sharp Minor: IV. Adagietto (conclusion) | New Philharmonia Orchestra, Sir John Barbirolli | F Major | 1 | 7B | 114 BPM | ||
Cavalleria Rusticana: "Regina coeli laetare" | Pietro Mascagni, Elina Garanca, Deutsche Radio Philharmonie Saarbrücken, Karel Mark Chichon, Latvian Radio Choir, Opernchor Saarbrücken | G Major | 2 | 9B | 86 BPM | ||
Cavalleria rusticana: "Intanto, amici, qua...Viva il vino spumeggiante" | Pietro Mascagni, Andrea Bocelli, Enkelejda Shkosa, Chorus of the Teatro Massimo Bellini, Catania, Orchestra of the Teatro Massimo Bellini, Catania, Steven Mercurio | G Major | 4 | 9B | 69 BPM | ||
Thaïs: Méditation | Herbert von Karajan, Anne-Sophie Mutter, Berliner Philharmoniker | E Minor | 1 | 9A | 99 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM | ||
The Watermill | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | F Major | 0 | 7B | 80 BPM | ||
Le carnaval des animaux, R. 125: Le cygne | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | C Major | 0 | 8B | 83 BPM | ||
Cinema Paradiso | Ennio Morricone, Raphaela Gromes, Julian Riem | B♭ Major | 1 | 6B | 66 BPM | ||
Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Daniel Barenboim, Chicago Symphony Orchestra | F Major | 1 | 7B | 82 BPM | ||
Touch Her Soft Lips and Part (From "Henry V") | William Walton, Itzhak Perlman, John Williams, Boston Pops Orchestra | B Minor | 1 | 10A | 93 BPM |
Section: 0.7991228103637695
End: 0.8045783042907715