"In Folk Tone, Op. 73, B. 146 (Excerpts Arr. D. Ward for Mezzo-Soprano & Chamber Ensemble): No. 2, Žalo dievča, žalo trávu" by Antonín Dvořák, Magdalena Kozená, Sir Simon Rattle, Kaspar Zehnder, Andrew Marriner, Wolfram Brandl, Rahel Maria Rilling, Yulia Deyneka, David Adorján was released on September 13, 2019. With In Folk Tone, Op. 73, B. 146 (Excerpts Arr. D. Ward for Mezzo-Soprano & Chamber Ensemble): No. 2, Žalo dievča, žalo trávu being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 30 in the song's album "Soirée". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Netherlands. In Folk Tone, Op. 73, B. 146 (Excerpts Arr. D. Ward for Mezzo-Soprano & Chamber Ensemble): No. 2, Žalo dievča, žalo trávu is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With In Folk Tone, Op. 73, B. 146 (Excerpts Arr. D. Ward for Mezzo-Soprano & Chamber Ensemble): No. 2, Žalo dievča, žalo trávu by Antonín Dvořák, Magdalena Kozená, Sir Simon Rattle, Kaspar Zehnder, Andrew Marriner, Wolfram Brandl, Rahel Maria Rilling, Yulia Deyneka, David Adorján having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Songs My Mother Taught Me (from "Gypsy Songs", Op. 55, No. 4) | Antonín Dvořák, Yo-Yo Ma, Kathryn Stott | B Minor | 0 | 10A | 92 BPM | ||
Die Fledermaus: Overture | Johann Strauss II, Bavarian State Orchestra, Carlos Kleiber | D Major | 2 | 10B | 109 BPM | ||
Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act I: Introduction - No. 1, Scene. Allegro giusto | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | D Major | 3 | 10B | 75 BPM | ||
Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
Bach, JS / Orch. Marriner: Was mir behagt, ist nur die muntre Jagd, BWV 208 "Jagdkantate": IX. Aria. "Schafe können sicher weiden" | Johann Sebastian Bach, Sir Neville Marriner, Academy of St. Martin in the Fields, Ian Watson | D Major | 3 | 10B | 99 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): II. Habanera | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 127 BPM | ||
Symphony No. 40 in G Minor, K. 550: I. Allegro molto | Wolfgang Amadeus Mozart, Capella Istropolitana, Barry Wordsworth | G Minor | 2 | 6A | 109 BPM | ||
Ständchen in D Minor (After Schubert), S. 560 | Franz Liszt, Lise de la Salle | D Major | 0 | 10B | 76 BPM | ||
Lyric Pieces, Book 1, Op. 12: Arietta | Edvard Grieg, Einar Steen-Nøkleberg | E♭ Major | 0 | 5B | 111 BPM |
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