"Konjok-Gorbunok: Konjukh" by Viktor Khokhrjakov, Oleg Anofriyev, Nikolay Svetlovidov was released on January 1, 1964. With Konjok-Gorbunok: Konjukh being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Various Artists's "Konjok-Gorbunok. Muzykal'naja skazka" album is number 9 out of 15. On top of that, France appears to be the country where this track was created. Konjok-Gorbunok: Konjukh is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Konjok-Gorbunok: Konjukh by Viktor Khokhrjakov, Oleg Anofriyev, Nikolay Svetlovidov to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
The music key of this track is B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Battle with the Forces of Evil - From "Sleeping Beauty"/Score | George Bruns | F Minor | 5 | 4A | 137 BPM | ||
Peter and the Wolf, Op. 67: The Bird Diverts the Wolf | David Bowie, Eugene Ormandy | C Major | 2 | 8B | 136 BPM | ||
Message from the Blue Fairy | Leigh Harline, Paul J. Smith | A Minor | 2 | 8A | 166 BPM | ||
Appalachian Spring: VIII. Coda. Moderato | Aaron Copland, London Symphony Orchestra | C Major | 0 | 8B | 70 BPM | ||
Charlie's Dance | Charlie Chaplin, Alfred Newman | C Major | 2 | 8B | 97 BPM | ||
Madama Butterfly: Entrance of Butterfly | Giacomo Puccini, Andre Kostelanetz, Andre Kostelanetz & His Orchestra | C Major | 3 | 8B | 123 BPM | ||
Skazka o tsare Saltane, Chast' 7 | Klementina Rostovtseva, Larisa Pashkova, Aleksey Gribov, Viktor Khokhrjakov, Vjacheslav Tikhonov, Xor Bol'shogo teatra SSSR | C Major | 4 | 8B | 66 BPM | ||
Skazka o tsare Saltane, Chast' 5 | Klementina Rostovtseva, Larisa Pashkova, Aleksey Gribov, Viktor Khokhrjakov, Vjacheslav Tikhonov, Xor Bol'shogo teatra SSSR | F Major | 2 | 7B | 140 BPM | ||
Aida / Act 2: Marcia | Giuseppe Verdi, Orchestra Del Teatro Dell'Opera Di Roma, Sir Georg Solti | F Minor | 3 | 4A | 148 BPM | ||
Marcia Religioso | Carmine Coppola, Conductor | G Major | 1 | 9B | 81 BPM |
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