Georg Philipp Telemann, Jordi Savall, Le Concert Des Nations made "Overture & Suite in D major for Viola da Gamba & Strings, TWV 55/D6: VII. Gigue" available on June 28, 2010. The duration of Overture & Suite in D major for Viola da Gamba & Strings, TWV 55/D6: VII. Gigue is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Overture & Suite in D major for Viola da Gamba & Strings, TWV 55/D6: VII. Gigue's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jordi Savall's "Le Concert Spirituel au temps de Louis XV" album is number 13 out of 31. In terms of popularity, Overture & Suite in D major for Viola da Gamba & Strings, TWV 55/D6: VII. Gigue is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Overture & Suite in D major for Viola da Gamba & Strings, TWV 55/D6: VII. Gigue by Georg Philipp Telemann, Jordi Savall, Le Concert Des Nations to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concerto in C Major, Op. 9, No. 5: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 108 BPM | ||
Me miserum, miseriarum conflictu, TWV 1:1135: III. Ut dirus peccatorum anguis | Georg Philipp Telemann, Alex Potter, Michael Fuerst, La Dolcezza, Veronika Skuplik | D♭ Minor | 1 | 12A | 181 BPM | ||
Flute Concerto in D Minor, Wq. 22, H. 425 (arr. R.O. Quero for oboe, strings and harpsichord): I. [Allegro] | Carl Philipp Emanuel Bach, Ramon Ortega Quero, Kammerakademie Potsdam | D Minor | 2 | 7A | 94 BPM | ||
Flute Concerto in A Minor, QV 5:238: I. Allegretto | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | G Minor | 2 | 6A | 143 BPM | ||
Overture No. 6 in B-Flat Major: II. Largo | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | A Major | 2 | 11B | 80 BPM | ||
Sinfonia No. 10 in C Major: IV. Presto | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | E Minor | 2 | 9A | 125 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: III. Presto | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 2 | 12A | 118 BPM | ||
Telemann: Concerto for Recorder and Bassoon in F Major, TWV 52:F1: III. Grave | Georg Philipp Telemann, Nikolaus Harnoncourt, Frans Brüggen, Otto Fleischmann, Concentus Musicus Wien | D Major | 0 | 10B | 127 BPM | ||
Concerto Grosso No. 3 in F Major: IV. Largo | Alessandro Scarlatti, Capella Istropolitana, Jaroslav Krcek | D Minor | 1 | 7A | 167 BPM | ||
Abdelazar Suite, Z. 570: IX. Air | Henry Purcell, Camerata Nordica, Terje Tonnesen | B♭ Major | 2 | 6B | 113 BPM |
Section: 0.7732808589935303
End: 0.7784824371337891