"A Polish Requiem: XII. Agnus Dei" by Krzysztof Penderecki, Royal Stockholm Philharmonic Orchestra, Jadwige Gadulanka, Jadwiga Rappe, Piotr Nowacki, Zachos Terzakis, Royal Stockholm Philharmonic Chorus was released on May 1, 1996. Since A Polish Requiem: XII. Agnus Dei is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 17 in the song's album "Penderecki: Polish Requiem". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. A Polish Requiem: XII. Agnus Dei is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With A Polish Requiem: XII. Agnus Dei by Krzysztof Penderecki, Royal Stockholm Philharmonic Orchestra, Jadwige Gadulanka, Jadwiga Rappe, Piotr Nowacki, Zachos Terzakis, Royal Stockholm Philharmonic Chorus having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 1 in E Minor, Op. 11: II. Romanza: Larghetto | Frédéric Chopin, Szymon Nehring, Sinfonietta Cracovia, Krzysztof Penderecki | A♭ Major | 1 | 4B | 135 BPM | ||
Requiem for Cello Alone: VI. Lux aeterna | Peter Sculthorpe, Pieter Wispelwey | B Major | 3 | 1B | 89 BPM | ||
A Polish Requiem: I. Introitus | Krzysztof Penderecki, Royal Stockholm Philharmonic Orchestra, Jadwige Gadulanka, Jadwiga Rappe, Piotr Nowacki, Zachos Terzakis, Royal Stockholm Philharmonic Chorus | D Major | 3 | 10B | 67 BPM | ||
6 Impromptus, Op. 5: Impromptu No. 5 in B Minor | Jean Sibelius, Håvard Gimse | B Minor | 0 | 10A | 84 BPM | ||
Phantasy Quintet: III. Alla Sarabanda: Lento | Ralph Vaughan Williams, Garfield Jackson, Maggini Quartet | E♭ Minor | 10 | 2A | 123 BPM | ||
Missa Brevis - II. Sanctus | Cello Octet Amsterdam | C Major | 0 | 8B | 96 BPM | ||
St. Luke Passion: Part II: ...in pulverem mortis (Psalm 21) | Krzysztof Penderecki, Izabela Klosinska, Krzysztof Kolberger, Adam Kruszewski, Romuald Tesarowicz, Warsaw Boys Choir, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Antoni Wit | E Minor | 0 | 9A | 70 BPM | ||
Erbarm dich mein, o Herre Gott, BWV 721 (Arr. Thomas) | Johann Sebastian Bach, Fred Thomas, Aisha Orazbayeva, Lucy Railton | D Major | 0 | 10B | 79 BPM | ||
Gnossiennes: n° 4 | Erik Satie, Alexandre Tharaud | A Minor | 0 | 8A | 85 BPM | ||
Cantus In Memory Of Benjamin Britten | Arvo Pärt, Staatsorchester Stuttgart, Dennis Russell Davies | A Minor | 1 | 8A | 67 BPM |
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