"Erbarm dich mein, o Herre Gott, BWV 721 (Arr. Thomas)" by Johann Sebastian Bach, Fred Thomas, Aisha Orazbayeva, Lucy Railton was released on October 22, 2021. With this song being about 5 minutes long, at 4:46, "Erbarm dich mein, o Herre Gott, BWV 721 (Arr. Thomas)" by Johann Sebastian Bach, Fred Thomas, Aisha Orazbayeva, Lucy Railton is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Johann Sebastian Bach, Fred Thomas, Aisha Orazbayeva, Lucy Railton's "J.S. Bach: Three Or One - Transcriptions by Fred Thomas" album is number 5 out of 24. Erbarm dich mein, o Herre Gott, BWV 721 (Arr. Thomas) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Erbarm dich mein, o Herre Gott, BWV 721 (Arr. Thomas) by Johann Sebastian Bach, Fred Thomas, Aisha Orazbayeva, Lucy Railton to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude In E Minor, BWV 855 (Arr. Piano In B Minor By Alexander Siloti) | Johann Sebastian Bach, Víkingur Ólafsson | B Minor | 1 | 10A | 134 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM | ||
Andante festivo for Strings and Timpani, JS 34b | Jean Sibelius, Lahti Symphony Orchestra, Osmo Vänskä | G Major | 2 | 9B | 65 BPM | ||
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
Ave verum corpus, K.618 (Arr. for Piano by Franz Liszt) | Wolfgang Amadeus Mozart, Mao Fujita | B Major | 0 | 1B | 69 BPM | ||
Martynov: "Come in!", Movement II | Vladimir Martynov, Gidon Kremer | A Major | 1 | 11B | 82 BPM | ||
NO ROADMAP TO ADULTHOOD / Chilly Gonzales: Prelude in C Sharp Major | Chilly Gonzales, Alice Sara Ott | E♭ Minor | 0 | 2A | 70 BPM | ||
Die schöne Müllerin, Op. 25, D. 795: No. 19 Der Müller und der Bach | Franz Schubert, Mischa Maisky, Daria Hovora | G Major | 0 | 9B | 96 BPM | ||
Songs Without Words, Book VI Opus 67: No. 2 in F-Sharp Minor | Felix Mendelssohn, Bertrand Chamayou | F♯ Minor | 1 | 11A | 69 BPM | ||
Nocturne in B Flat Major, H. 37 (Version for Harp) | John Field, Magdalena Hoffmann | B♭ Major | 1 | 6B | 97 BPM |
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