Francis Poulenc, Francois Le Roux, Soloistes De L'Orchestre National De France, Charles Dutoit made "Quatres poèmes de Max Jacob: 3. Poète et ténor" available on January 1, 1996. The duration of Quatres poèmes de Max Jacob: 3. Poète et ténor is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Quatres poèmes de Max Jacob: 3. Poète et ténor's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 41 in the song's album "Poulenc: Le bal masqué/Chamber Works". In this album, this song's track order is #40. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Quatres poèmes de Max Jacob: 3. Poète et ténor's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Quatres poèmes de Max Jacob: 3. Poète et ténor by Francis Poulenc, Francois Le Roux, Soloistes De L'Orchestre National De France, Charles Dutoit having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die schöne Müllerin, Op. 25, D. 795: No. 19 Der Müller und der Bach | Franz Schubert, Mischa Maisky, Daria Hovora | G Major | 0 | 9B | 96 BPM | ||
Carnaval, Op. 9: No. 18. Aveu | Robert Schumann, Boris Giltburg | G Minor | 1 | 6A | 147 BPM | ||
Allegro molto in C Minor | Fanny Mendelssohn, Heather Schmidt | F Minor | 2 | 4A | 79 BPM | ||
Vaughan Williams: Job, a Masque for Dancing, Scene 9: Epilogue | Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra | G Minor | 0 | 6A | 99 BPM | ||
5 Preludes, Op. 16: IV. Prelude No. 4 in E-Flat Minor: Lento | Alexander Scriabin, Evgeny Zarafiants | A Minor | 0 | 8A | 129 BPM | ||
Gloria, FP 144: 2. Laudamus te | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | F Major | 2 | 7B | 139 BPM | ||
Ravel: Pavane pour une infante défunte, M. 19 | Maurice Ravel, Bertrand Chamayou | E Minor | 0 | 9A | 126 BPM | ||
Nocturne No. 1 in C Major, FP 56 | Francis Poulenc | C Major | 1 | 8B | 73 BPM | ||
Khachaturian: Children's Album, Book I, Op. 62: No. 1, Andantino | Aram Khachaturian, Alexandre Tharaud | A♭ Major | 0 | 4B | 90 BPM | ||
Sarabande et rigaudon, Op. 93: Sarabande | Camille Saint-Saëns, Orchestre National de Lille, Jun Markl | E Major | 1 | 12B | 84 BPM |
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