Sebastian Durón, Le Poème Harmonique, Vincent Dumestre's 'Coronis, Jornada segunda: No. 2, Al dios de los mares' had a release date set for February 11, 2022. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 46 in the song's album "Sebastián Durón: Coronis". In this album, this song's track order is #2. Furthermore, we believe that the track originated from France. Based on our statistics, Coronis, Jornada segunda: No. 2, Al dios de los mares's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Coronis, Jornada segunda: No. 2, Al dios de los mares by Sebastian Durón, Le Poème Harmonique, Vincent Dumestre having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trio Sonata in G Minor: I. Adagio | Giovanni Battista Draghi, La Rêveuse, Florence Bolton, Benjamin Perrot | A♭ Minor | 2 | 1A | 110 BPM | ||
Te Deum, S.32: I. Te Deum laudamus | Michel Richard Delalande, Le Poème Harmonique, Vincent Dumestre, Emmanuelle De Negri, Dagmar Saskova, Sean Clayton | C Major | 3 | 8B | 93 BPM | ||
Convocamini, congregamini: No. 1, Convocamini, congregamini (Lucifero) | Rinaldo Alessandrini, Concerto Italiano, Gabriele Lombardi | A Major | 3 | 11B | 93 BPM | ||
Pimpinone, TWV 21:15, Pt. 1: Chi mi vuol, son cameriera | Georg Philipp Telemann, Marie-Sophie Pollak, Akademie für Alte Musik Berlin, Georg Kallweit | D♭ Major | 1 | 3B | 139 BPM | ||
Libera me in C Minor, HocJ E.2: VI. Dies illa, dies irae | Niccolò Jommelli, Gaia Petrone, Il Gardellino, Peter Van Heyghen | B Minor | 1 | 10A | 136 BPM | ||
Corollarium. Canzon à 5 | Johann Hermann Schein, Ricercar Consort, Philippe Pierlot | G Minor | 2 | 6A | 117 BPM | ||
Laudate Pueri: II. A solis ortu | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Giles Underwood, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Purcell: The Fairy Queen, Z. 629, Act IV: Song. "Thus the Ever Grateful Spring" | Henry Purcell, Amsterdam Baroque Orchestra, Ton Koopman, Francine van der Heijden | B Minor | 0 | 10A | 78 BPM | ||
3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: III. Sarabanda | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Armide, LWV 71, Prologue: Entrée (I) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique | F Major | 1 | 7B | 139 BPM |