Yehudi Menuhin, Terence Macdonagh's 'Die Instrumente Des Orchesters, Englisch-Horn: Gegenüberstellung von Oboe und Englisch-Horn' came out on 1961. With Die Instrumente Des Orchesters, Englisch-Horn: Gegenüberstellung von Oboe und Englisch-Horn being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. This song is part of Yehudi Menuhin erklärt Die Instrumente des Orchesters by Various Artists, Yehudi Menuhin. The song's track number on the album is #46 out of 96 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Die Instrumente Des Orchesters, Englisch-Horn: Gegenüberstellung von Oboe und Englisch-Horn is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
Since Die Instrumente Des Orchesters, Englisch-Horn: Gegenüberstellung von Oboe und Englisch-Horn by Yehudi Menuhin, Terence Macdonagh has a tempo of 80 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Die Instrumente Des Orchesters, Englisch-Horn: Gegenüberstellung von Oboe und Englisch-Horn being at 80 BPM, the half-time would be 40 BPM with a double-time of 160 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
The music key of this track is D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasy on Polish Airs, Op. 13: Largo non troppo | Frédéric Chopin, Jan Lisiecki, NDR Elbphilharmonie Orchester, Krzysztof Urbański | A Major | 0 | 11B | 81 BPM | ||
Sinfonia in D Major, "La Veneziana": III. Presto | Antonio Salieri, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 109 BPM | ||
The Gadfly Suite, Op. 97a: No. 8 Romance | Dmitri Shostakovich, Charlie Siem, Munich Radio Orchestra, Paul Goodwin | D♭ Major | 1 | 3B | 133 BPM | ||
Solfeggietto in C minor, Wq. 117/2 | Carl Philipp Emanuel Bach, Dinara Klinton | F Minor | 2 | 4A | 122 BPM | ||
Organ Concerto No. 8 in A, Op.7 (1998 - Remaster): III. Organo ad libitum (Largo) | George Frideric Handel, Valda Aveling, Menuhin Festival Orchestra, Simon Preston, Yehudi Menuhin | D Minor | 1 | 7A | 95 BPM | ||
Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, Staatskapelle Dresden, Silvio Varviso | D Major | 0 | 10B | 121 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
Dinicu / Arr Heifetz: Hora Staccato | Grigoras Dinicu, Yehudi Menuhin | E♭ Major | 4 | 5B | 73 BPM | ||
Prelude and Allegro in the style of Pugnani | Samuel Sanders, Itzhak Perlman | E Minor | 3 | 9A | 107 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato) | Max Bruch, Julia Fischer, Tonhalle Orchester Zürich, David Zinman | E♭ Major | 1 | 5B | 170 BPM |
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