Johann Sebastian Bach, Münchener Bach-Orchester, Münchener Bach-Chor, Ernst Haefliger, Kieth Engen, Karl Richter's 'Johannes-Passion, BWV 245: No. 15, Christus, der uns selig macht - No. 16, Da führeten sie Jesum' had a release date set for November 1, 2019. This song is about six minutes long, preciously at 6:12, making this song fairly long compared to other songs. The track order of this song in Johann Sebastian Bach, Karl Richter, Münchener Bach-Orchester's "J.S. Bach: Johannes-Passion, BWV 245" album is number 9 out of 24. On top of that, Italy appears to be the country where this track was created. In terms of popularity, Johannes-Passion, BWV 245: No. 15, Christus, der uns selig macht - No. 16, Da führeten sie Jesum is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Johannes-Passion, BWV 245: No. 15, Christus, der uns selig macht - No. 16, Da führeten sie Jesum by Johann Sebastian Bach, Münchener Bach-Orchester, Münchener Bach-Chor, Ernst Haefliger, Kieth Engen, Karl Richter to be Moderato (at a moderate speed) because the track has a tempo of 113 BPM, a half-time of 56BPM, and a double-time of 226 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia in C major, RV 112: II. Andante | Karoly Botvay | C Minor | 1 | 5A | 112 BPM | ||
Vocalise, Op. 34, No. 14 - Version For Cello And Piano | Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov | E Minor | 8 | 9A | 128 BPM | ||
Concerto Saint Marc: III. Andante | Tomaso Albinoni, John Roderick MacDonald, Martin Stephan | G Minor | 0 | 6A | 60 BPM | ||
Concerto for two Violins in D Minor, BWV 1043: I. Vivace | Johann Sebastian Bach, Leila Schayegh, Anaïs Chen, Jörg Halubek, Il Gusto Barocco | D Minor | 1 | 7A | 104 BPM | ||
Concerto for Recorder, Transverse Flute, Strings and Continuo in E Minor: IV. Presto | Georg Philipp Telemann, Martin Fröst, Royal Stockholm Philharmonic Orchestra | D Minor | 3 | 7A | 82 BPM | ||
Cançoneta for Violin and Orchestra | Joaquín Rodrigo, Agustín León Ara, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 0 | 11B | 70 BPM | ||
Die schöne Müllerin, Op. 25, D. 795: No. 19 Der Müller und der Bach | Franz Schubert, Mischa Maisky, Daria Hovora | G Major | 0 | 9B | 96 BPM | ||
Sonata a 5 in G Minor, Op. 2, No. 6: IV. Allegro | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | G Minor | 3 | 6A | 59 BPM | ||
Matthäus-Passion, BWV 244, Pt. 1: No. 3, Chorale. "Herzliebster Jesu, was hast du verbrochen" (Chorus) | Johann Sebastian Bach, Dresdner Kreuzchor, Thomanerchor Leipzig, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger | B Minor | 2 | 10A | 117 BPM | ||
Carnaval, Op. 9: XII. Chopin | Robert Schumann, Daniil Trifonov | E Major | 0 | 12B | 68 BPM |