SORROW: II (Extract) - a reimagination of Gorecki's 3rd Symphony - Henryk Górecki, Colin Stetson Information

Acousticness: 97%
Danceability: 39%
Energy: 13%
Instrumentalness: 82%
Liveness: 11%
Loudness: 77%
Speechiness: 4%
Valence: 31%
Popularity: 2%
Loudness: -14.088 dB

Summary

Henryk Górecki, Colin Stetson's 'SORROW: II (Extract) - a reimagination of Gorecki's 3rd Symphony' came out on April 8, 2016. With this song being about 5 minutes long, at 4:54, "SORROW: II (Extract) - a reimagination of Gorecki's 3rd Symphony" by Henryk Górecki, Colin Stetson is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 4 in the song's album "SORROW - a reimagining of Gorecki's 3rd Symphony (Extracts)". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, SORROW: II (Extract) - a reimagination of Gorecki's 3rd Symphony is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

SORROW: II (Extract) - a reimagination of Gorecki's 3rd Symphony BPM

With SORROW: II (Extract) - a reimagination of Gorecki's 3rd Symphony by Henryk Górecki, Colin Stetson having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.

SORROW: II (Extract) - a reimagination of Gorecki's 3rd Symphony Key

This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso	Ludwig van Beethoven, Glenn Gould, Leopold Stokowski, American Symphony Orchestra	B Major	0	1B	61 BPM
Petra: a ritual dream	John Tavener, Academy of Ancient Music, Paul Goodwin, George Mosley, The Choir of the AAM, Andrew Manze	B♭ Minor	0	3A	89 BPM
Sisask : Starry Sky Cycle Op.52 : 25. Ursa Minor [Peace]	Urmas Sisask, Lauri Väinmaa	G Minor	1	6A	131 BPM
Symphony No. 2, Op. 132, "Mysterious Mountain": I. Andante con moto	Alan Hovhaness, Seattle Symphony Orchestra, Gerard Schwarz	A Minor	0	8A	93 BPM
Lonely Waters, R. 27	Ernest John Moeran, Vernon Handley, Ulster Orchestra	A♭ Minor	0	1A	82 BPM
Dido and Aeneas, Z. 626: Act III: When I am Laid in Earth	Henry Purcell, Leontyne Price, Francesco Molinari-Pradelli	G Minor	1	6A	86 BPM
Concerto For Violoncello And Strings: I. (Turbulent, Tense)	Dobrinka Tabakova, Kristine Blaumane, Lithuanian Chamber Orchestra, Maxim Rysanov	E Minor	4	9A	89 BPM
Unsent Love Letters	Elena Kats-Chernin, Tamara Anna Cislowska	D♭ Major	0	3B	183 BPM
Eight Part Songs, Op. 115: III. The Blue Bird	Charles Villiers Stanford, National Youth Choir Of Great Britain, Bethany Partridge, Christopher Hann	F♯ Major	0	2B	77 BPM
I. Movement	Vladimir Martynov, Tatiana Grindenko	A Major	2	11B	120 BPM

ISRC: GBGLW1500232
Label: L-M Records/RCA Records

Section: 0.7364699840545654

End: 0.7402389049530029