"Psalm 6 "O Lord, Rebuke Me Not in Thine Indignation"" by George Macfarren, Edward Francis Rimbault, Exeter Cathedral Choir, Paul Morgan, Andrew Millington was released on January 11, 2010. The duration of Psalm 6 "O Lord, Rebuke Me Not in Thine Indignation" is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Psalm 6 "O Lord, Rebuke Me Not in Thine Indignation"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "The Complete Psalms of David, Vol. 1". In this album, this song's track order is #6. In terms of popularity, Psalm 6 "O Lord, Rebuke Me Not in Thine Indignation" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Psalm 6 "O Lord, Rebuke Me Not in Thine Indignation" by George Macfarren, Edward Francis Rimbault, Exeter Cathedral Choir, Paul Morgan, Andrew Millington having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Choeur de Pâques: Alleluia | César Franck, Christelijk koor Jigdaljahu, Willem Arie den Hertog | A♭ Major | 3 | 4B | 88 BPM | ||
Les Sept paroles de Notre Seigneur Jésus-Christ sur la croix, CG 147: VII. Pater in manus tuas | Charles Gounod, Ensemble Vocal de Lausanne, Michel Corboz | F Major | 0 | 7B | 75 BPM | ||
Liturgy of St. John Chrysostom: No. 3, Antiphon II (Psalm 145) | Benedict Sheehan, The Saint Tikhon Choir | D Major | 3 | 10B | 79 BPM | ||
Evry Stone Crys | Nicolas Fayolle | B♭ Major | 1 | 6B | 95 BPM | ||
Easter Anthem "The Lord is ris'n indeed" | William Billings, Paul Hillier, His Majestie's Clerkes | A Major | 1 | 11B | 103 BPM | ||
To Thee, O Victorious Leader | Sergei Rachmaninoff, Tenebrae, Nigel Short | C Major | 2 | 8B | 84 BPM | ||
Elijah, Op. 70: "Holy, Holy, Holy Is God the Lord" (Quartet & Chorus) | Felix Mendelssohn, Gabrieli, Emily Rowley Jones, Lucy Ballard, Ruth Gibbins, Samuel Boden, William Whitehead, Paul McCreesh | C Major | 1 | 8B | 140 BPM | ||
4 Tantum ergo, WAB 41: No. 4 in C Major (Version for Choir) | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | C Major | 1 | 8B | 69 BPM | ||
Ours Were the Griefs He Bore | Stephen Dean | E Major | 1 | 12B | 97 BPM | ||
With Prayer and Supplicaton | Amy Beach, Capitol Hill Choral Society, Paul Hardy, Betty Buchanan | F♯ Minor | 1 | 11A | 108 BPM |
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