Robert Woodcock, Hans-Martin Linde, Lucerne Festival Strings, Rudolf Baumgartner made "Concerto for flute, Strings and continuo No.9 ein E minor: 1. Vivace" available on January 1, 1993. The duration of Concerto for flute, Strings and continuo No.9 ein E minor: 1. Vivace is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Concerto for flute, Strings and continuo No.9 ein E minor: 1. Vivace's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Pergolesi / Vivaldi / Woodcock / Blavet / Leclair: Flute Concertos". In this album, this song's track order is #7. In terms of popularity, Concerto for flute, Strings and continuo No.9 ein E minor: 1. Vivace is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Concerto for flute, Strings and continuo No.9 ein E minor: 1. Vivace by Robert Woodcock, Hans-Martin Linde, Lucerne Festival Strings, Rudolf Baumgartner having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia avanti il Barcheggio for Trumpet, 2 Violins and Continuo: III. Canzone | Alessandro Stradella, Reinhold Friedrich, Budapest Strings, Karoly Botvay | G Major | 1 | 9B | 167 BPM | ||
Uns ist ein Kind geboren: I. Sonata | Johann Kuhnau, Camerata Lipsiensis, Gregor Meyer | A♭ Minor | 1 | 1A | 103 BPM | ||
Ascanio in Alba, K. 111: Act I Scene 1: Andante grazioso, che ballano le Grazie | Wolfgang Amadeus Mozart, Raphaël Boulay, Michael Chance, Jill Feldman, Rosa Mannion, Howard Milner, Lorna Windsor, Paris Sorbonne University Choir, Concerto Armonico, Jacques Grimbert | D♭ Major | 0 | 3B | 180 BPM | ||
Zaïde, reine de Grenade, Acte I Scène 5: Rondeau pour les Abencérages | Joseph-Nicolas-Pancrace Royer, Les Talens Lyriques, Christophe Rousset | F Minor | 2 | 4A | 176 BPM | ||
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 7, La douceur | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Sonata No. 9 in F Minor: IV. Allegro | Francesco Mancini, Claudio Ferrarini | F Minor | 4 | 4A | 141 BPM | ||
Trumpet Sonata in D Major: VI. Allegro | Giuseppe Torelli, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | B Major | 0 | 1B | 71 BPM | ||
Sonata No. 2: 3. Presto | Domenico Gallo, Romuald Tecco, Thomas Kornacker, Peter Howard, Christopher Hogwood | F Major | 0 | 7B | 127 BPM | ||
Membra Jesu Nostri, BUXWV 75, cantata II ad genua: I. Sonata in tremolo | Dietrich Buxtehude, Luthers Bach Ensemble, Tymen Jan Bronda, Baroque Orchestra | F♯ Minor | 2 | 11A | 142 BPM | ||
Violin Concerto in G Major, Op. 3 No. 3, RV 310 (Arr. for Trumpet & Orchestra): II. Largo | Anonymous, Antonio Vivaldi, Guido Segers, Czech Philharmonic Chamber Orchestra, Filip Dvořák, Marek Štilec | E Minor | 1 | 9A | 99 BPM |
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