Richard Rodgers, Jacqueline François, Unknown Artist, Jack Elliott made "La vie mondaine (From "La blonde ou la rousse")" available on June 2, 2015. The duration of La vie mondaine (From "La blonde ou la rousse") is about 3 minutes long, at 3:10. Based on our data, "La vie mondaine (From "La blonde ou la rousse")" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Jacqueline François, Michel Legrand, Jack Elliott's "Le monde de la chanson: Jacqueline François, Vol. 2 "Mélodie perdue" (Remastered 2015)" album is number 13 out of 24. La vie mondaine (From "La blonde ou la rousse") is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of La vie mondaine (From "La blonde ou la rousse") by Richard Rodgers, Jacqueline François, Unknown Artist, Jack Elliott to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Street Scene: What Good Would the Moon Be? | Kurt Weill, Anne Jeffreys, Maurice Abravanel | D♭ Major | 2 | 3B | 54 BPM | ||
I Can't Say No | Carol Burnett | E♭ Major | 4 | 5B | 141 BPM | ||
My Lord And Master - Remastered 2001 | Rita Moreno, Darcy M. Proper, Jen Wyler | G Major | 1 | 9B | 91 BPM | ||
Sweet Charity: Charity's Theme | Cy Coleman, Sweet Charity Orchestra, Fred Werner, Sweet Charity Original Broadway Cast | D♭ Major | 1 | 3B | 133 BPM | ||
Do-Re-Mi (From 'The Sound of Music') | Oscar Hammerstein II, Richard Rodgers, Jean Bayless/Children's Chorus/Palace Theatre Orchestra/Robert Lowe, Robert Lowe, Orchestra | D Major | 1 | 10B | 122 BPM | ||
Prologue: Tradition | Zero Mostel, Fiddler on the Roof Ensemble | G Major | 4 | 9B | 78 BPM | ||
H.M.S. Pinafore, Act I: When I Was a Lad | Gilbert & Sullivan Society of Houston | B♭ Major | 4 | 6B | 109 BPM | ||
The Tiny Scout (from "An Affair To Remember") | Gary Grant, Deborah Kerr | A♭ Major | 2 | 4B | 67 BPM | ||
There Is Nothing Like A Dame | South Pacific 1988 London Cast Recording Male Ensemble | E Major | 2 | 12B | 141 BPM | ||
H.M.S. Pinafore, Act I: We Sail the Ocean Blue | Gilbert & Sullivan Society of Houston | G Major | 3 | 9B | 105 BPM |
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