Catherine Bott's 'Tres Morillas m'Enamoran en Jaen' came out on October 30, 2006. The duration of Tres Morillas m'Enamoran en Jaen is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Tres Morillas m'Enamoran en Jaen's duration is considered a little bit shorter than the average duration of a typical track. The song is number 15 out of 16 in Convivencia by Catherine Bott. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Tres Morillas m'Enamoran en Jaen is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Tres Morillas m'Enamoran en Jaen by Catherine Bott is Moderato (at a moderate speed), since this song has a tempo of 118 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 1/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tradimento | Barbara Strozzi, Catherine Bott, Timothy Roberts, Paula Chateauneuf, Frances Kelly | A Minor | 0 | 8A | 106 BPM | ||
Vespro della Beata Virgine - Arr. Philip Pickett: Sicut erat in principio | Claudio Monteverdi, Catherine Bott, Tessa Bonner, Christopher Robson, Andrew King, John Mark Ainsley, Michael George, Simon Grant, New London Consort, Philip Pickett | C Major | 1 | 8B | 87 BPM | ||
Stabat Mater: VI. Fac me tecum | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Venus & Adonis - Ed. Bruce Wood for the Early English Opera Society - Act 2: You Place With Such Delightful Care | John Blow, Libby Crabtree, Catherine Bott, New London Consort, Philip Pickett | B♭ Major | 1 | 6B | 77 BPM | ||
The Dust Cart - II. Recit: Silvia Advanc'd / Aria: Shall I Who Ride Above the Rest | James Oswald, Concerto Caledonia, Catherine Bott | F♯ Major | 1 | 2B | 105 BPM | ||
Il giardino di rose: "Mentre io godo" | Alessandro Scarlatti, Cecilia Bartoli, Les Musiciens du Louvre, Marc Minkowski | B Minor | 0 | 10A | 111 BPM | ||
Weint nicht um meinen Tod | Johann Bach, Vox Luminis, Lionel Meunier | C Minor | 0 | 5A | 67 BPM | ||
Concerto in E Minor: II. Vivace | Benedetto Marcello, Concerto Italiano, Rinaldo Alessandrini | E♭ Minor | 3 | 2A | 117 BPM | ||
Concerto in D Minor for Oboe, Strings and Continuo: II. Adagio | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso, Andrea Mion | D♭ Minor | 1 | 12A | 68 BPM | ||
Colin's Kisses - VI. The Kiss Repaid | James Oswald, Concerto Caledonia, Catherine Bott, Iain Paton | E Major | 0 | 12B | 86 BPM |
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