"Venus & Adonis - Ed. Bruce Wood for the Early English Opera Society - Act 2: You Place With Such Delightful Care" by John Blow, Libby Crabtree, Catherine Bott, New London Consort, Philip Pickett was released on January 1, 1994. With Venus & Adonis - Ed. Bruce Wood for the Early English Opera Society - Act 2: You Place With Such Delightful Care being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 13 out of 26 in Blow: Venus & Adonis by John Blow, Catherine Bott, Michael George, New London Consort, Philip Pickett. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Venus & Adonis - Ed. Bruce Wood for the Early English Opera Society - Act 2: You Place With Such Delightful Care is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Venus & Adonis - Ed. Bruce Wood for the Early English Opera Society - Act 2: You Place With Such Delightful Care by John Blow, Libby Crabtree, Catherine Bott, New London Consort, Philip Pickett is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude in G Major | John Blow, Bradford Tracey | C Minor | 1 | 5A | 86 BPM | ||
Uns ist ein Kind geboren: I. Sonata | Johann Kuhnau, Camerata Lipsiensis, Gregor Meyer | A♭ Minor | 1 | 1A | 103 BPM | ||
Henry Purcell: Two in one upon a Ground | Charivari Agréable | A♭ Minor | 1 | 1A | 77 BPM | ||
Airs for the Seasons, Summer (Excerpts): Pink: III. Temo di Minuetto | James Oswald, Rezonance Baroque Ensemble | F♯ Major | 2 | 2B | 82 BPM | ||
Venus and Adonis: Act II: Dance of the Cupids | John Blow, Consort Of Musicke, Anthony Rooley | B♭ Major | 0 | 6B | 80 BPM | ||
Violin Sonata in G Minor, Op. 5 No. 5: II. Vivace (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Stabat Mater: VII. Juxta crucem | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Lobet Gott in seinen Reichen, BWV 11, Pt. 1: IV. Aria "Ach, bleibe doch, mein liebstes Leben" | Johann Sebastian Bach, Vox Luminis, Freiburger Barockorchester, Lionel Meunier, Alexander Chance | F♯ Major | 2 | 2B | 137 BPM | ||
Scene 1 | Francesca Caccini, Ferdinando Saracinelli, Ensemble Renaissance | F Major | 1 | 7B | 133 BPM | ||
18 Sonatas in 1, 2, 3 Parts: Sonata No. 2 in D Major | Giovanni Battista Fontana, Daniele Caminiti, Marcin Świątkiewicz, Rachel Podger | D♭ Major | 1 | 3B | 127 BPM |
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