Johann Sebastian Bach, Francesco Tristano's 'Goldberg Variations, BWV 988: Variatio 23. a 2 Clav.' came out on May 1, 2010. With Goldberg Variations, BWV 988: Variatio 23. a 2 Clav. being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 24 out of 34 in Bach, J.S.: Goldberg Variations by Johann Sebastian Bach, Francesco Tristano. Going off of the ISRC code of this track, we detected that the origin of this track is from Poland. In terms of popularity, Goldberg Variations, BWV 988: Variatio 23. a 2 Clav. is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Goldberg Variations, BWV 988: Variatio 23. a 2 Clav. by Johann Sebastian Bach, Francesco Tristano is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto a cinque No. 2, Op. 9: I. Allegro e no presto | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | D♭ Minor | 3 | 12A | 169 BPM | ||
Overture (Suite) in B-Flat Major, TWV 55:B2: Aria IV: Sarabande | Georg Philipp Telemann, La Stagione Frankfurt, Michael Schneider | A Major | 1 | 11B | 98 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.3 in C sharp major BWV848 | Daniel Barenboim | D♭ Major | 1 | 3B | 84 BPM | ||
Nocturne No.5 In F Sharp, Op.15 No.2 | Frédéric Chopin, Maurizio Pollini | F♯ Major | 0 | 2B | 125 BPM | ||
Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : II. Alla Siciliana | Cologne Chamber Orchestra, Renee Ohldin, Corinne Chapelle, Lucas Barr, Christine Pichlmeier, Antonio Vivaldi | F♯ Minor | 1 | 11A | 129 BPM | ||
Concerto for Strings in A Minor, RV 161: I. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: II. Largo Ovvero Adagio | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 176 BPM | ||
Brandenburg Concerto No. 2 in F, BWV 1047: 1. Allegro - Live From Teatro Romolo Valli, Reggio Emilia, Italy/2007 | Johann Sebastian Bach, Reinhold Friedrich, Michala Petri, Lucas Macias Navarro, Giuliano Carmignola, Orchestra Mozart, Claudio Abbado | E Minor | 1 | 9A | 81 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
Bach, JS: Gottes Zeit ist die allerbeste Zeit, BWV 106 "Actus Tragicus": No. 2, Chöre, Arioso und Aria. "Gottes Zeit ist die allerbeste Zeit" (Arr. Kurtág for Piano 4-Hands) | Johann Sebastian Bach, Alexandre Tharaud, David Fray | B Minor | 0 | 10A | 111 BPM |
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