Henry Purcell, April Cantelo, Alfred Deller, Peter Salmon, Wilfred Brown, Maurice Bevan, John Frost, Kalmar Chamber Orchestra London, Ambrosian Singers, Michael Tippett, Denis Vaughan's 'Hail, Bright Cecilia!, Z. 328: Chorus. "Hail, Bright Cecilia"' came out on 1957. With this song being about 5 minutes long, at 5:02, "Hail, Bright Cecilia!, Z. 328: Chorus. "Hail, Bright Cecilia"" by Henry Purcell, April Cantelo, Alfred Deller, Peter Salmon, Wilfred Brown, Maurice Bevan, John Frost, Kalmar Chamber Orchestra London, Ambrosian Singers, Michael Tippett, Denis Vaughan is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Henry Purcell, Denis Vaughan, Marcel Couraud, Kalmar Chamber Orchestra London's "Les splendeurs de la musique sacrée, Vol. 5" album is number 13 out of 15. On top of that, France appears to be the country where this track was created. The popularity of Hail, Bright Cecilia!, Z. 328: Chorus. "Hail, Bright Cecilia" is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Hail, Bright Cecilia!, Z. 328: Chorus. "Hail, Bright Cecilia" by Henry Purcell, April Cantelo, Alfred Deller, Peter Salmon, Wilfred Brown, Maurice Bevan, John Frost, Kalmar Chamber Orchestra London, Ambrosian Singers, Michael Tippett, Denis Vaughan to be Vivace (lively and fast) because the track has a tempo of 166 BPM, a half-time of 83BPM, and a double-time of 332 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 5/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in B-Flat Major, Op. 4, No. 6: Concerto in B-Flat Major, Op. 4, No. 6: I. Andante allegro | George Frideric Handel, Richard Egarr, Academy of Ancient Music | A Major | 0 | 11B | 79 BPM | ||
Simple Symphony, Op. 4: III. Sentimental Sarabande | Benjamin Britten, Camerata Nordica, Terje Tonnesen | G Minor | 0 | 6A | 85 BPM | ||
Dido and Aeneas / Act 1: "Whence could so much virtue spring?...Fear no danger" | Henry Purcell, Jessye Norman, Marie McLaughlin, Elizabeth Gale, English Chamber Orchestra, Raymond Leppard | C Major | 1 | 8B | 79 BPM | ||
Concerto in F Major, Seibel 234: 1. Vivace | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | E Major | 2 | 12B | 133 BPM | ||
Keyboard Sonata in C Major, Kk. 159 | Domenico Scarlatti, Alon Goldstein | C Major | 2 | 8B | 120 BPM | ||
Marche pour la cérémonie des Turcs (Jean-Baptiste Lully) | Jean-Baptiste Lully, Le Concert Des Nations | A Major | 3 | 11B | 144 BPM | ||
A New Ground in E Minor, Z.T682 | Henry Purcell, Terence R. Charlston | F♯ Minor | 2 | 11A | 56 BPM | ||
Scherzi musicali, cioè arie, et madrigali in stil recitativo: Zefiro torna, SV 251 | Claudio Monteverdi, Magdalena Kozená, Anna Prohaska, La Cetra Barockorchester Basel, Andrea Marcon | G Major | 2 | 9B | 101 BPM | ||
Trio In G Minor, BWV 929 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | ||
L'arte dell'arco, B. F11: Variazione No. 23 | Giuseppe Tartini, Alessandro Clerici | F Major | 3 | 7B | 125 BPM |
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