Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra, Ladislav Elgr, Simon O'Neill's 'Katya Kabanova, JW I/8, Act II Scene 2: "Nikoho tu není!"' came out on February 23, 2024. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra, Amanda Majeski, Simon O'Neill, Katarina Dalayman, Andrew Staples, Ladislav Elgr's "Janáček: Katya Kabanova" album is number 5 out of 32. On top of that, United Kingdom appears to be the country where this track was created. Katya Kabanova, JW I/8, Act II Scene 2: "Nikoho tu není!" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Katya Kabanova, JW I/8, Act II Scene 2: "Nikoho tu není!" by Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra, Ladislav Elgr, Simon O'Neill to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Katya Kabanova, JW I/8, Act I Scene 2: "Což pak už mne nemáš rád?" | Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra, Amanda Majeski, Andrew Staples | A♭ Minor | 2 | 1A | 85 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
Elegy on the Death of my Daughter Olga], JWIV/30 | Leoš Janáček, Czech Radio Chorus, Jan Kasal, Jan Panenka, Ivo Zidek | G Minor | 3 | 6A | 94 BPM | ||
Liebeslied, S. 566 (After Schumann’s Widmung, Op. 25 No. 1) | Franz Liszt, Rudolf Buchbinder | F♯ Major | 0 | 2B | 68 BPM | ||
Sonatine, M. 40: 2. Mouvement de menuet | Maurice Ravel, Martha Argerich | D♭ Major | 0 | 3B | 123 BPM | ||
Katya Kabanova, JW I/8, Act II Scene 1: "Půjdu též se projít" | Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra, Magdalena Kozená, Amanda Majeski, Katarina Dalayman | D♭ Major | 1 | 3B | 173 BPM | ||
Variations On A Theme By Chopin: Variation 1. Tranquillo e molto amabile | Federico Mompou, Daniil Trifonov | A Major | 0 | 11B | 66 BPM | ||
Meditace na staročeský 'Svatý Václave', Op. 35a | Antonín Dvořák, Leoš Janáček, Josef Suk, Bohuslav Martinů, Bedřich Smetana, Ciconia Consort, Dick van Gasteren | A Minor | 1 | 8A | 95 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
Deux Arabesques, L66: No. 1: Andantino con moto | Claude Debussy, Kathryn Stott | E Major | 0 | 12B | 73 BPM |
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