Anonymous, Frédéric Chopin, Anthony Goldstone made "Variations on La ci darem from Mozart's Don Giovanni, Op. 2 (arr. for piano): Theme - Variations 1-4" available on April 1, 2013. Variations on La ci darem from Mozart's Don Giovanni, Op. 2 (arr. for piano): Theme - Variations 1-4 is about six minutes long, preciously at 6:05, making this song fairly long compared to other songs. The track order of this song in Anthony Goldstone's "Goldstone, Anthony: A Night at the Opera" album is number 4 out of 13. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Variations on La ci darem from Mozart's Don Giovanni, Op. 2 (arr. for piano): Theme - Variations 1-4's popularity is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Variations on La ci darem from Mozart's Don Giovanni, Op. 2 (arr. for piano): Theme - Variations 1-4 by Anonymous, Frédéric Chopin, Anthony Goldstone to be Allegro (fast, quick, and bright) because the track has a tempo of 132 BPM, a half-time of 66BPM, and a double-time of 264 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pastyme with good companye | Henry VIII, Amarcord, Michael Metzler | D Minor | 0 | 7A | 63 BPM | ||
Kyrie From Gregorian Mass IX | The Schola Cantorum of St. Peter's in the Loop | E♭ Major | 1 | 5B | 66 BPM | ||
Sanctus Benedictus | Probandi Benedittini Di San Giovanni In Parma | G Minor | 1 | 6A | 94 BPM | ||
Tempo Della Glora E Della Vita. Sequenza: Victimae Paschali Laudes | Canonici Regolari Si Sant'Antimo | E Minor | 0 | 9A | 92 BPM | ||
L'esperance Gaudemus / Salve Regina | Monks Of The Benedictine Abbey | E Major | 0 | 12B | 63 BPM | ||
Canticles & Prayers, Inexpressible Wonder: No. 1, Lord, Save the Pious | Georgy Sviridov, Unknown Artist, Latvian Radio Choir, Sigvards Kļava | F♯ Major | 0 | 2B | 171 BPM | ||
Requiem - Herbert Howells: III. Requiem Aeternam (I) | Dale Warland Singers | E Minor | 0 | 9A | 83 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: XV. Blessed is He Who Comes in the Name of the Lord | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | F♯ Major | 0 | 2B | 77 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: VIII. The Creed | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | C Minor | 1 | 5A | 165 BPM | ||
Office des laudes : Respons vidi angelum | Choeur des Bénédictins de l'Abbaye Sainte-Anne de Kergonan, Dom Gaston le Nézet | F♯ Major | 0 | 2B | 128 BPM |
Section: 0.5995597839355469
End: 0.6042325496673584