"Mozart: Requiem in D Minor, K. 626: V. Rex tremendae" by Wolfgang Amadeus Mozart, Rachel Yakar, Ortrun Wenkel, Kurt Equiluz, Robert Holl, Nikolaus Harnoncourt & Concentus musicus Wien, Vienna State Opera Chorus, Nikolaus Harnoncourt, Concentus Musicus Wien was released on 1982. With Mozart: Requiem in D Minor, K. 626: V. Rex tremendae being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Wolfgang Amadeus Mozart, Rachel Yakar, Ortrun Wenkel, Kurt Equiluz, Robert Holl, Nikolaus Harnoncourt & Concentus musicus Wien, Nikolaus Harnoncourt, Concentus Musicus Wien's "Mozart : Requiem & Mass No.16, 'Coronation' (Apex)" album is number 5 out of 20. On top of that, Germany appears to be the country where this track was created. Mozart: Requiem in D Minor, K. 626: V. Rex tremendae is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mozart: Requiem in D Minor, K. 626: V. Rex tremendae by Wolfgang Amadeus Mozart, Rachel Yakar, Ortrun Wenkel, Kurt Equiluz, Robert Holl, Nikolaus Harnoncourt & Concentus musicus Wien, Vienna State Opera Chorus, Nikolaus Harnoncourt, Concentus Musicus Wien to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
The music key of this track is B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem KV 626: Rex Tremendae | Nicol Matt, Thomas Pfeiffer, Reinhard Geller, Wolfgang Amadeus Mozart, Pamela Heuvelmans, Robert Morvaj, Süddeutsches Kammerorchester Pforzheim; Chamber Choir Of Europe, Barbara Werner | G Minor | 1 | 6A | 90 BPM | ||
Pavane, Op. 50 - Excerpt | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | D Major | 0 | 10B | 130 BPM | ||
Montagnes And Capulets from Romeo And Juliet | South German Philharmonic Orchestra | A Minor | 3 | 8A | 114 BPM | ||
Grande Messe en ut mineur, K. 427: Benedictus | Wolfgang Amadeus Mozart, Orchestre & Chorale Paul Kuentz, Barbara Schlick, Mechthild Georg, Alexander Stevenson, Philip Langshaw | C Major | 2 | 8B | 90 BPM | ||
Messa da Requiem: II. Dies irae: Dies irae | Giuseppe Verdi, Nikolaus Harnoncourt, Wiener Philharmoniker | C Minor | 2 | 5A | 143 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act III: Entr'acte et Barcarolle: Belle nuit, ô nuit d'amour (Une voix/Giulietta/Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 1 | 10B | 90 BPM | ||
Carmina Burana - Fortuna Imperatrix Mundi: "O Fortuna" | Carl Orff, San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | D Minor | 2 | 7A | 145 BPM | ||
Messe du couronnement, K. 317: Gloria | Wolfgang Amadeus Mozart, La Maîtrise de Paris, Budapest Orfeo Orchestra, Patrice Marco, Gyorgy Vashegyi, Noemi Rime, Christine Batty, Stuart Patterson, Bernard Deletré | G Major | 3 | 9B | 131 BPM | ||
Mozart: Concerto for Two Pianos & Orchestra in E flat, K. 365 | London Festival Orchestra | E♭ Major | 2 | 5B | 136 BPM | ||
Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Edita Gruberova, Claudia Eder, Orchestre National De France, Seiji Ozawa, Choeurs de Radio France | D Major | 1 | 10B | 101 BPM |
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