"Symphony No. 9 in D Minor, Op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso" by Ludwig van Beethoven, Helena Juntunen, Katarina Karnéus, Daniel Norman, Neal Davies, Minnesota Chorale, Minnesota Orchestra, Osmo Vänskä was released on January 1, 2000. Symphony No. 9 in D Minor, Op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso appears to be safe for all ages as it is not explicit. The song is number 1 out of 4 in Beethoven, Van L.: Symphony No. 9, "Choral" by Ludwig van Beethoven, Osmo Vänskä, Minnesota Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. Symphony No. 9 in D Minor, Op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 9 in D Minor, Op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso by Ludwig van Beethoven, Helena Juntunen, Katarina Karnéus, Daniel Norman, Neal Davies, Minnesota Chorale, Minnesota Orchestra, Osmo Vänskä is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
12 Variations on "Ein Mädchen oder Weibchen" from Mozart's Die Zauberflöte in F Major, Op. 66 : Variation X. Adagio | Ludwig van Beethoven, Jungin Huh, Ilya Rashkovskiy | F Minor | 0 | 4A | 83 BPM | ||
Carmen Fantasy, Op. 25: I. Moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | D Major | 1 | 10B | 89 BPM | ||
Concerto For 2 Mandolins, Strings And Continuo In G, RV 532: 3. Allegro | Antonio Vivaldi, James Tyler, Robin Jeffrey, The English Concert, Trevor Pinnock | D♭ Major | 2 | 3B | 144 BPM | ||
Carmen Variations | Vladimir Horowitz | E Major | 2 | 12B | 148 BPM | ||
Lakmé: Flower Duet (Arr. Naoumoff for Piano) | Léo Delibes, Lang Lang | B Major | 1 | 1B | 129 BPM | ||
Le Carnaval des Animaux, R. 125: 7. Aquarium | Camille Saint-Saëns, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit | A Minor | 0 | 8A | 136 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | ||
Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto | Ludwig van Beethoven, Philadelphia Orchestra, Riccardo Muti | D Minor | 3 | 7A | 107 BPM | ||
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | ||
Prelude In D Minor, BWV 926 : Prelude In D Minor, BWV 926 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM |
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