"Since By Man Came Death" by George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra had its release date on January 1, 1987. The duration of This song is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Since By Man Came Death's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, Andrew Davis's "Handel: Messiah" album is number 23 out of 54. On top of that, United States appears to be the country where this track was created. Since By Man Came Death is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Since By Man Came Death by George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto grosso in G minor, Op. 6, No. 8 "fatto per la notte di Natale": 2. Adagio - Allegro - Adagio | Arcangelo Corelli, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 1 | 3B | 124 BPM | ||
Messiah, HWV 56 / Pt. 1: The People That Walked In Darkness | George Frideric Handel, London Philharmonic Orchestra, London Philharmonic Choir, John Alldis, Ulkrik Cold | B Minor | 2 | 10A | 67 BPM | ||
The Dettingen Anthem: V. We Will Rejoice in Thy Salvation | George Frideric Handel, The English Concert, Simon Preston, The Choir Of Westminster Abbey, Trevor Pinnock | D♭ Major | 3 | 3B | 91 BPM | ||
Oratorio de Noel, Op. 12: Tollite hostias (Chorus) | Camille Saint-Saëns, Britt Marie Aruhn, Anne Sofie von Otter, Ingmari Landin, Erland Hagegård, Ulf Lundmark, Mikaeli Chamber Choir, Karin Langebo, Bengt Forsberg, Royal Opera Theater Orchestra, Anders Eby | A♭ Major | 1 | 4B | 132 BPM | ||
A Ceremony Of Carols, Op. 28: This Little Babe | Benjamin Britten, Sioned Williams, Harry Christophers | E♭ Minor | 1 | 2A | 169 BPM | ||
Christus: III. Choral "Es wird ein Stern aus Jacob aufgehn" | Felix Mendelssohn, Laurence Equilbey, Accentus, Orchestre de chambre de Paris | A Major | 2 | 11B | 76 BPM | ||
Messiah: Part 3, But thanks be to God (Chorus) | The Sixteen | B Major | 2 | 1B | 82 BPM | ||
And the Glory of the Lord | The Tabernacle Choir at Temple Square, Orchestra at Temple Square | E Major | 2 | 12B | 162 BPM | ||
Panis Angelicus | César Franck, Kiri Te Kanawa, English Chamber Orchestra, Barry Rose | A Major | 1 | 11B | 77 BPM | ||
Christmas Oratorio, BWV 248 / Part One - For The First Day Of Christmas: No. 8 Aria: "Großer Herr, o starker König" | Johann Sebastian Bach, Olaf Bär, Crispian Steele-Perkins, English Baroque Soloists, John Eliot Gardiner | D♭ Major | 2 | 3B | 95 BPM |