Gioachino Rossini, Alessandro Corbelli, Teresa Ringholz, Ramón Vargas, Natale de Carolis, Francesca Provvisionato, Fulvio Massa, Marcello Viotti, English Chamber Orchestra's 'La scala di seta: VI. Recitativo ed Aria' came out on January 1, 1992. La scala di seta: VI. Recitativo ed Aria is about six minutes long, preciously at 6:25, making this song fairly long compared to other songs. There are a total of 16 in the song's album "Rossini: La Scala di Seta, Early One-Act Operas, Vol. 5/5". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. In terms of popularity, La scala di seta: VI. Recitativo ed Aria is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La scala di seta: VI. Recitativo ed Aria by Gioachino Rossini, Alessandro Corbelli, Teresa Ringholz, Ramón Vargas, Natale de Carolis, Francesca Provvisionato, Fulvio Massa, Marcello Viotti, English Chamber Orchestra having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Fledermaus: Overture | Johann Strauss II, Wiener Philharmoniker, Karl Böhm | D Major | 5 | 10B | 116 BPM | ||
Overture to "A Midsummer Night's Dream", Op. 21: Tempo primo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | E Major | 0 | 12B | 140 BPM | ||
Symphony No. 5 in C Minor, Op. 67: II. Andante con moto | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | A♭ Major | 0 | 4B | 75 BPM | ||
Barcarolle | Jacques Offenbach, Anna Netrebko, Elina Garanca | D Major | 2 | 10B | 132 BPM | ||
Symphony No. 5 in C Minor, Op. 67: III. Allegro | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | A♭ Major | 1 | 4B | 82 BPM | ||
The Marriage Of Figaro, Overture K. 492 | Hollywood Strings Orchestra | D Major | 2 | 10B | 145 BPM | ||
La Cenerentola / Act 2: "Siete voi?..." - "Questo è un nodo avviluppato" | Gioachino Rossini, Luigi Alva, Teresa Berganza, Laura Zannini, Margherita Guglielmi, Renato Capecchi, Paolo Montarsolo, London Symphony Orchestra, Claudio Abbado | E Minor | 0 | 9A | 89 BPM | ||
Il Barbiere di Siviglia (1996 Digital Remaster): Che cosa accadde, signori miei (Figaro/Bartolo/Conte/Rosina/Berta/Basilio/Coro/Uffiziale) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | F Major | 3 | 7B | 125 BPM | ||
Il Maestro di Capella: Sinfonia | Domenico Cimarosa, Orchestra of the Royal Opera House, Covent Garden, Argeo Quadri | D Major | 3 | 10B | 74 BPM | ||
Die Walkure, Act III: Ride of the Valkyries | Richard Wagner, Budapest Symphony Orchestra, György Lehel | G Major | 2 | 9B | 90 BPM |
Section: 0.6086297035217285
End: 0.6162996292114258