"Canciones Amatorias: II. Llorad, corazón, que tenéis razón" by J.A. Alvarez-Parejo, Maria Bayo was released on January 1, 1992. The duration of Canciones Amatorias: II. Llorad, corazón, que tenéis razón is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Canciones Amatorias: II. Llorad, corazón, que tenéis razón's duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 33 in Canciones Españolas by Maria Bayo & J.A. Alvarez-Parejo. Canciones Amatorias: II. Llorad, corazón, que tenéis razón is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Canciones Amatorias: II. Llorad, corazón, que tenéis razón by J.A. Alvarez-Parejo, Maria Bayo is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmina Burana (1992 Digital Remaster): Were diu werlt alle min | Carl Orff, Agnes Giebel/Paul Kuen/Marcel Cordes/Chor des Westdeutschen Rundfunks/Children's Choir/Kölner Rundfunk-Sinfonie-Orchester/Wolfgang Sawallisch, Chor des Westdeutschen Rundfunks, Wolfgang Sawallisch, Kölner Rundfunk-Sinfonie-Orchester | D Minor | 4 | 7A | 148 BPM | ||
Dido and Aeneas, Z. 626, Act I: Ah! Belinda | Henry Purcell, La Nuova Musica, David Bates, Fleur Barron | B Minor | 2 | 10A | 72 BPM | ||
Atalanta, HWV 35, Act I: Care selve | George Frideric Handel, Pretty Yende, Coronation Orchestra, Antonio Pappano, Matthew Jorysz | A Major | 2 | 11B | 119 BPM | ||
Pray “Psalm 23” | Yohan Susilo | A Major | 1 | 11B | 140 BPM | ||
Annelies (chamber version): V. Life in hiding | James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James Jordan | A Minor | 1 | 8A | 78 BPM | ||
Delizie contente | Francesco Cavalli, Cecilia Bartoli, György Fischer | F Minor | 1 | 4A | 92 BPM | ||
Humperdinck : Hänsel und Gretel : Act 3 "Der kleine Taumann heiss ich" [The Dew Fairy] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | D Major | 1 | 10B | 92 BPM | ||
Canciones Amatorias: VI. Mañanica era | Maria Bayo, J.A. Alvarez-Parejo | A Major | 0 | 11B | 166 BPM | ||
Aida: Act IV: Vedi? ... di morte l'angelo | Giuseppe Verdi, Maria Dragoni, Kristjan Johannsson, Barbara Dever, Mark Rucker, Francesco Ellero d' Artegna, Riccardo Ferrari, Antonio Marcenò, Monica Trini, Colin Mawby, RTÉ Philharmonic Choir, RTE Chamber Choir, Culwick Choral Society, Bray Choral Society, Dublin County Choir, Dun Laoghaire Choral Society, Cantabile Singers, Goethe Institut Choir, Musica Sacra, The Phoenix Singers, RTÉ National Symphony Orchestra, Irish Army No. 1 Band, Ricco Saccani | D♭ Major | 0 | 3B | 73 BPM | ||
Les adieux de Marie Stuart, WWV 61 (Arr. Fontanelli for Voice and Ensemble) | Richard Wagner, KammerMusikKöln, Kathrin Zukowski | E♭ Major | 1 | 5B | 69 BPM |
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