Édouard Lalo, Estonian National Symphony Orchestra, Neeme Järvi's 'Suite No.1 from "Namouna": No.1, Prelude. À L.P. De Fourcaud' came out on January 19, 2024. With this song being about 5 minutes long, at 5:26, "Suite No.1 from "Namouna": No.1, Prelude. À L.P. De Fourcaud" by Édouard Lalo, Estonian National Symphony Orchestra, Neeme Järvi is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Édouard Lalo, Estonian National Symphony Orchestra, Neeme Järvi's "Lalo: Symphony in G Minor, Orchestral Works" album is number 3 out of 16. On top of that, United Kingdom appears to be the country where this track was created. The popularity of Suite No.1 from "Namouna": No.1, Prelude. À L.P. De Fourcaud is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Suite No.1 from "Namouna": No.1, Prelude. À L.P. De Fourcaud by Édouard Lalo, Estonian National Symphony Orchestra, Neeme Järvi to be Presto (very, very fast) because the track has a tempo of 179 BPM, a half-time of 90BPM, and a double-time of 358 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in C Major, Hob.VIIa:1: II. Adagio | Joseph Haydn, Augustin Hadelich, Cologne Chamber Orchestra, Helmut Muller-Bruhl | E Major | 1 | 12B | 131 BPM | ||
Gavotte - Arr. for Cello and Piano | Jean-Baptiste Lully, Mischa Maisky, Pavel Gililov | D Minor | 0 | 7A | 85 BPM | ||
Tristesse, Op.6, No.2 | Gabriel Fauré, Mischa Maisky, Daria Hovora | F Minor | 0 | 4A | 97 BPM | ||
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 1. Adagio - Allegro moderato - Poco adagio | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | A♭ Major | 1 | 4B | 118 BPM | ||
Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | ||
Concerto a 5 in B flat, Op.7, no.10 for Strings and Continuo: 3. Allegro | Tomaso Albinoni, I Musici | B♭ Major | 2 | 6B | 107 BPM | ||
Valse Fantaisie, Op.49 | Raoul Koczalski, Ingolf Wunder | B Minor | 0 | 10A | 66 BPM | ||
Guitare, Op. 28 (Arr. G. Pierne for violin and orchestra) | Édouard Lalo, Jean-Jacques Kantorow, Tapiola Sinfonietta, Kees Bakels | A Major | 1 | 11B | 100 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb:1: I. Moderato | Joseph Haydn, Jacqueline du Pré, English Chamber Orchestra, Daniel Barenboim | D♭ Minor | 1 | 12A | 84 BPM | ||
Divertimento No. 6 in G Major, Op. 38: Divertimento No. 6 in G Major, Op. 38 | Carl Maria von Weber, Ensemble 3 Mouvements | G Major | 0 | 9B | 119 BPM |
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