Claude Goudimel, Jordi Savall's 'Psaumes de David. Ficht wider meine Anfechter (Psaume 35)' came out on January 26, 2018. The duration of Psaumes de David. Ficht wider meine Anfechter (Psaume 35) is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Psaumes de David. Ficht wider meine Anfechter (Psaume 35)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Venezia Millenaria by Jordi Savall. The song's track number on the album is #1 out of 37 tracks. In terms of popularity, Psaumes de David. Ficht wider meine Anfechter (Psaume 35) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Psaumes de David. Ficht wider meine Anfechter (Psaume 35) by Claude Goudimel, Jordi Savall has a tempo of 92 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Psaumes de David. Ficht wider meine Anfechter (Psaume 35) being at 92 BPM, the half-time would be 46 BPM with a double-time of 184 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Basciami Mille Volte a 5 Voci | Luca Marenzio, Rinaldo Alessandrini, Concerto Italiano | G Minor | 1 | 6A | 81 BPM | ||
Musikalische Exequien, Op. 7, SWV 279-281: III. Canticum B. Simeonis "Herr, nun lässest Du Deinen Diener" | Heinrich Schütz, La Chapelle Royale, Philippe Herreweghe | G Minor | 1 | 6A | 78 BPM | ||
Susato: 12 Dances from the Danserye: II. Branle Quatre - Bransles | Tylman Susato, Early Music Consort Of London | G Major | 2 | 9B | 64 BPM | ||
Ricercar à 3 | Adrian Willaert, The Vienna Recorder Ensemble | B♭ Minor | 0 | 3A | 74 BPM | ||
Confirma hoc Deus | Jacobus Gallus, Pro Musica, Szabó Dénes | A Major | 1 | 11B | 66 BPM | ||
Ayres for the Violin (arr. for guitar): Aria I | Nicola Matteis, Pierre Pitzl | B Minor | 2 | 10A | 86 BPM | ||
Vezzosi augelli | Giaches de Wert, La Venexiana, Claudio Cavina | F♯ Major | 1 | 2B | 70 BPM | ||
Kyrie: III. Kyrie | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | A♭ Major | 1 | 4B | 88 BPM | ||
Canaries | Thoinot Arbeau, Michael Praetorius, Capella De La Torre, Katharina Bauml | G Major | 2 | 9B | 90 BPM | ||
Terpsichore*: a. Courante b. Courante c. Courante | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | C Major | 0 | 8B | 108 BPM |
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