"Herzogenberg: Legenden, Op. 62: I. Andantino" by Heinrich von Herzogenberg, Gérard Caussé, Vadim Gladkov was released on March 16, 2018. With this song being about 5 minutes long, at 5:08, "Herzogenberg: Legenden, Op. 62: I. Andantino" by Heinrich von Herzogenberg, Gérard Caussé, Vadim Gladkov is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Viola Legend - The Erato Years by Gérard Caussé. The song's track number on the album is #38 out of 168 tracks. Herzogenberg: Legenden, Op. 62: I. Andantino is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Herzogenberg: Legenden, Op. 62: I. Andantino by Heinrich von Herzogenberg, Gérard Caussé, Vadim Gladkov has a tempo of 79 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Herzogenberg: Legenden, Op. 62: I. Andantino being at 79 BPM, the half-time would be 40 BPM with a double-time of 158 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Small Sky (Version for Mixed Choir) | Toru Takemitsu, SWR Vokalensemble Stuttgart, Marcus Creed | F Major | 0 | 7B | 73 BPM | ||
Cello Sonata No. 1, Op. 52: III. Allegro moderato | Heinrich von Herzogenberg, Claudius Herrmann, Saiko Sasaki | E♭ Major | 1 | 5B | 96 BPM | ||
Mass for unaccompanied double choir: IV. Sanctus | Frank Martin, RIAS Kammerchor, Daniel Reuss | D Major | 1 | 10B | 85 BPM | ||
The Crucifixion: Recitative: And they came to a place named Gethsemane (Tenor) | John Stainer, James Gilchrist, Simon Bailey, Stephen Farr, Choir of Clare College, Cambridge, Tim Brown | D♭ Major | 0 | 3B | 187 BPM | ||
Jesu meines Lebens Leben, BuxWV 62: Jesu meines Lebens Leben, BuxWV 62 | Dietrich Buxtehude, Margaretha Consort, Marit Broekroelofs | D Minor | 1 | 7A | 103 BPM | ||
Trio for Oboe, Horn & Klavier, Op.61: 3. Andante con moto | Heinrich von Herzogenberg, Albrecht Mayer, Marie Luise Neunecker, Markus Becker | B♭ Major | 1 | 6B | 129 BPM | ||
Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Minor | 0 | 2A | 94 BPM | ||
Six Moravian Choruses: V. The Wild Rose | Leoš Janáček, Cappella Amsterdam, Daniel Reuss | A♭ Major | 1 | 4B | 137 BPM | ||
Mass in C Major, Op. 86: Sanctus: Sanctus, Sanctus, Sanctus | Ludwig van Beethoven, Katherine van Kampen, Ingeborg Danz, Keith Lewis, Michel Brodard, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | C Major | 0 | 8B | 136 BPM | ||
Mass for Double Choir: Kyrie | Frank Martin, Mikaeli Chamber Choir, Anders Eby | A Minor | 0 | 8A | 81 BPM |
Section: 0.5620546340942383
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