"Sinfonia No. 2 in B-Flat, Op. XVII: Andante (3)" by Il Fondamento was released on November 8, 2012. The duration of Sinfonia No. 2 in B-Flat, Op. XVII: Andante (3) is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Sinfonia No. 2 in B-Flat, Op. XVII: Andante (3)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 18 in Abel: Ouvertures & Sinfonias by Il Fondamento. Sinfonia No. 2 in B-Flat, Op. XVII: Andante (3) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sinfonia No. 2 in B-Flat, Op. XVII: Andante (3) by Il Fondamento is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto No. 10 In B Minor RV 580: I. Allegro | Accademia Bizantina | B♭ Minor | 3 | 3A | 123 BPM | ||
Overture No. 6 in B-Flat Major: II. Largo | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | A Major | 2 | 11B | 80 BPM | ||
Concerto Grosso No. 5 in D Minor (after D. Scarlatti): I. Largo | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 1 | 12A | 123 BPM | ||
Coffee Cantata, BWV 211: Aria: Heute noch | Johann Sebastian Bach, Tafelmusik Baroque Orchestra, Jeanne Lamon, Suzie LeBlanc, Nils Brown, Brett Polegato | F♯ Major | 1 | 2B | 120 BPM | ||
Concerto Grosso, Op. 6, No. 01 in G Major (HWV 319): A tempo giusto | George Frideric Handel, Academy of Ancient Music, Andrew Manze | F♯ Major | 0 | 2B | 87 BPM | ||
Concerto a cinque No. 5, Op. 9: II. Adagio | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | A♭ Minor | 1 | 1A | 97 BPM | ||
Suite From Abdelzar: VI. Air | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | F♯ Minor | 2 | 11A | 101 BPM | ||
Suite No. 4 in D Major, BWV 1069: III. Gavotte | Johann Sebastian Bach, Il Fondamento, Paul Dombrecht | D♭ Major | 4 | 3B | 113 BPM | ||
Suite a fur Blockflote, Streicher und Generalbass: Air a l'Italien | Cologne Chamber Orchestra | A Minor | 1 | 8A | 76 BPM | ||
Concerto in E Minor: I. Adagio e staccato | Benedetto Marcello, Concerto Italiano, Rinaldo Alessandrini | B Major | 0 | 1B | 132 BPM |
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