Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado's 'Symphonie Fantastique, Op.14, H 48: 5c. Songe d'une nuit du Sabbat - Ronde du Sabbat' came out on October 15, 2020. The duration of Symphonie Fantastique, Op.14, H 48: 5c. Songe d'une nuit du Sabbat - Ronde du Sabbat is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Symphonie Fantastique, Op.14, H 48: 5c. Songe d'une nuit du Sabbat - Ronde du Sabbat's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Giuseppe Verdi, Carl Orff, Richard Wagner's "Haunted House Halloween" album is number 37 out of 103. Based on our statistics, Symphonie Fantastique, Op.14, H 48: 5c. Songe d'une nuit du Sabbat - Ronde du Sabbat's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphonie Fantastique, Op.14, H 48: 5c. Songe d'une nuit du Sabbat - Ronde du Sabbat by Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L’arlésienne Suite No. 2 (Arr. E. Guiraud): III. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E♭ Major | 0 | 5B | 76 BPM | ||
Symphony No. 2 in C Minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht | Gustav Mahler, Leonard Bernstein, New York Philharmonic | D♭ Major | 0 | 3B | 174 BPM | ||
Debussy: Petite suite, CD 71, L. 65: IV. Ballet (Orch. Büsser) | Claude Debussy, Jean-François Paillard, Orchestre de chambre Jean-François Paillard | D Major | 3 | 10B | 117 BPM | ||
Simple Symphony, Op. 4: IV. Frolicsome Finale | Benjamin Britten, English Chamber Orchestra | G Major | 4 | 9B | 78 BPM | ||
Symphony No.1 in D minor, Op.13: 3. Larghetto | Sergei Rachmaninoff, Russian National Orchestra, Mikhail Pletnev | C Minor | 0 | 5A | 69 BPM | ||
Berlioz: Les Nuits d'été, Op. 7, H 81b: I. Villanelle, H 82b | Hector Berlioz, Théophile Gautier, Véronique Gens/Louis Langree/Orchestre de l'Opéra National de Lyon, Louis Langrée, Orchestre De L'Opéra National De Lyon | A Major | 1 | 11B | 134 BPM | ||
The Firebird (L'oiseau De Feu) - Suite (1919): Round Dance Of The Princesses | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | D♭ Minor | 0 | 12A | 82 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Pelléas et Mélisande, Op.80: 1. Prélude | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 134 BPM | ||
Les Troyens / Act 1: No.4 Marche et hymne: "Dieux protecteurs" | Hector Berlioz, Chorus of the Royal Opera House, Covent Garden, Wandsworth School Boys Choir, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | C Major | 2 | 8B | 97 BPM |
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