Shota Ikeda's 'Shadows on the Abandoned Street: Third Movement' came out on November 25, 2023. The duration of Shadows on the Abandoned Street: Third Movement is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Shadows on the Abandoned Street: Third Movement's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 3 in the song's album "Shadows on the Abandoned Street". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Australia. In terms of popularity, Shadows on the Abandoned Street: Third Movement is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Shadows on the Abandoned Street: Third Movement by Shota Ikeda having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 1 "Pictures from Warsaw": IV. In Between | Mateusz Smoczyński, Atom String Quartet | G Minor | 3 | 6A | 84 BPM | ||
Veinte Estudios Artísticos de Concierto para Violín Con Acompañamiento de un Segundo Violín: 1º Cuaderno: I. Estudio Melódico y del Saltillo | Jesús De Monasterio, Manuel Guillén, Pablo Suarez | E♭ Major | 1 | 5B | 95 BPM | ||
The Gadfly Suite, Op. 97a: VIII. Romance | Yoko Ara, Takehiko Yamada | D Major | 0 | 10B | 74 BPM | ||
26 Sonatas: No. 6, Violin Sonata in E Minor, B.e1 / GT. 2e01: I. Andante cantabile: Senti lo mare | Giuseppe Tartini, La Serenissima, Adrian Chandler | G Minor | 1 | 6A | 113 BPM | ||
Violin Rhapsody No. 1, Sz. 87 (Version for Violin & Piano) | Béla Bartók, Matteo Cossu, Bruno Canino | D Major | 0 | 10B | 101 BPM | ||
Fantasia No. 3 in F Minor, TWV 40:16: I. Adagio | Georg Philipp Telemann, Federico Guglielmo | G Major | 0 | 9B | 84 BPM | ||
Introduzione | Franz Joseph Haydn, Edoardo Bellotti, Maurizio Salerno | A Major | 1 | 11B | 81 BPM | ||
Concert Royal No. 1 in G (Version for 2 Harpsichords): VI. Gigue. Légèrement | François Couperin, Pierre Gallon, Matthieu Boutineau | E♭ Major | 4 | 5B | 125 BPM | ||
Cello moto 1 | TIM III | G Major | 0 | 9B | 126 BPM | ||
September II | Sarah Neutkens, Nederlands Saxofoon Octet | C Minor | 0 | 5A | 81 BPM |
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