"Puer natus in Bethlehem" by Traditional, Budapest Monteverdi Choir, Eva Kollar was released on June 1, 2010. With Puer natus in Bethlehem being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Budapest Monteverdi Choir, Eva Kollar, Ferenc Farkas, Ferenc Kersch, Gyorgy Deak-Bardos, György Orbán, Lajos Bárdos, László Halmos, Zoltán Kodály's "Musica Sacra Hungarica. Geistliche Chormusik des 20. Jahrhunderts" album is number 9 out of 22. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Puer natus in Bethlehem's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Puer natus in Bethlehem by Traditional, Budapest Monteverdi Choir, Eva Kollar to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bal gwened | Traditional, Jessica Baran-Surel | C Minor | 5 | 5A | 180 BPM | ||
Stella splendens | Anonymous, Jessica Baran-Surel | B♭ Major | 4 | 6B | 105 BPM | ||
Ola, o che bon eccho! | Orlande de Lassus, Concerto Italiano, Rinaldo Alessandrini | E♭ Minor | 1 | 2A | 63 BPM | ||
How Glorious Is Our Lord In Zion | "The Orthodox Singers" Male Choir, Georgiy Smirnov | F Major | 3 | 7B | 128 BPM | ||
La Mantovana | Gasparo Zanetti, Musica Antiqua, Christian Mendoze | A Minor | 2 | 8A | 101 BPM | ||
La traditora: Saltarello, "La traditora" | Marco Dall'Aquila, Shirley Rumsey | B♭ Major | 0 | 6B | 138 BPM | ||
Lu Gattu la sonava la zampogna | Lucilla Galeazzi, Traditional, Valentino Paparello, L'Arpeggiata, Christina Pluhar, Marco Beasley | A Minor | 0 | 8A | 133 BPM | ||
Mexicano. Guadalajara y Otras - Remasterizado | Luis Cobos, Pepe Guizar, Traditional | C Major | 5 | 8B | 132 BPM | ||
Salve regina | Traditional, Monks Of The Abbey Of Notre Dame | D♭ Minor | 0 | 12A | 95 BPM | ||
Give us the wings of faith | James Whitbourn, Westminster Williamson Voices, Ken Cowan, James Jordan | A Minor | 2 | 8A | 85 BPM |
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