Lucilla Galeazzi, Traditional, Valentino Paparello, L'Arpeggiata, Christina Pluhar, Marco Beasley's 'Lu Gattu la sonava la zampogna' came out on 2001. With Lu Gattu la sonava la zampogna being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in L'Arpeggiata, Christina Pluhar, Lucilla Galeazzi, Marco Beasley's "La Tarantella: Antidotum Tarantulae (Extraits de la bande originale du film "Tous les soleils")" album is number 2 out of 17. On top of that, France appears to be the country where this track was created. Based on our statistics, Lu Gattu la sonava la zampogna's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lu Gattu la sonava la zampogna by Lucilla Galeazzi, Traditional, Valentino Paparello, L'Arpeggiata, Christina Pluhar, Marco Beasley to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rappresentatione di Anima, et di Corpo, Atto Terzo, Intermedio: Festa & Ballo. Ciagogna | Philipp van Wichel, L'Arpeggiata, Christina Pluhar | C Major | 2 | 8B | 118 BPM | ||
Sinfonia | Stefano Landi, L'Arpeggiata, Christina Pluhar | G Minor | 1 | 6A | 128 BPM | ||
Passacaglia della vita | Stefano Landi, Ed Lyon, Theatre of the Ayre, Elizabeth Kenny | A♭ Minor | 3 | 1A | 122 BPM | ||
Purcell: "O Solitude, My Sweetest Choice", Z. 406 | Henry Purcell, Christina Pluhar, Sarah Ridy, Haru Kitamika, L'Arpeggiata | G Minor | 0 | 6A | 169 BPM | ||
De Santanyí vaig partir | Christina Pluhar, Traditional | E Minor | 1 | 9A | 93 BPM | ||
Villanelle, Book 4: Cinta di rose | Giovanni Girolamo Kapsberger, Marco Beasley, Private Musicke, Pierre Pitzl | F♯ Major | 1 | 2B | 125 BPM | ||
Porpora: Polifemo, HelN 31, Act 3: "Alto Giove" (Aci) | Nicola Porpora, Philippe Jaroussky, Andrea Marcon, Venice Baroque Orchestra | E♭ Minor | 0 | 2A | 78 BPM | ||
Monteverdi: L'Orfeo, SV 318: Toccata | Alessandro Striggio, Claudio Monteverdi, Christina Pluhar | D Major | 2 | 10B | 146 BPM | ||
Rameau: "Feuillages verts naissez" | Jean-Philippe Rameau, Les Ambassadeurs, Alexis Kossenko | A♭ Major | 0 | 4B | 81 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Minor | 2 | 10A | 64 BPM |
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