Gioachino Rossini, Juan Oncina, Glyndebourne Festival Chorus, Glyndebourne Festival Orchestra, Michel Roux, Unknown Artist, Vittorio Gui's 'Le Comte Ory, Act II: Act II: Buvons, buvons soudain! (Chorus, Count, Raimbaud, Tutor)' came out on August 1, 2014. With this song being about 5 minutes long, at 4:30, "Le Comte Ory, Act II: Act II: Buvons, buvons soudain! (Chorus, Count, Raimbaud, Tutor)" by Gioachino Rossini, Juan Oncina, Glyndebourne Festival Chorus, Glyndebourne Festival Orchestra, Michel Roux, Unknown Artist, Vittorio Gui is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 20 in the song's album "Rossini: Le comte Ory (The Count Ory)". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Italy. In terms of popularity, Le Comte Ory, Act II: Act II: Buvons, buvons soudain! (Chorus, Count, Raimbaud, Tutor) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Le Comte Ory, Act II: Act II: Buvons, buvons soudain! (Chorus, Count, Raimbaud, Tutor) by Gioachino Rossini, Juan Oncina, Glyndebourne Festival Chorus, Glyndebourne Festival Orchestra, Michel Roux, Unknown Artist, Vittorio Gui having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Four Seasons, Violin Concerto No. 2 in G Minor, RV 315 "L'estate": III. Tempo impetuoso d'estate | Antonio Vivaldi, Europa Galante, Fabio Biondi | F♯ Major | 6 | 2B | 85 BPM | ||
Funiculì, funiculà | Luigi Denza, Luciano Pavarotti, Anton Guadagno, Orchestra del Teatro Comunale di Bologna | F Major | 3 | 7B | 126 BPM | ||
Vremena Goda (The Seasons), Op. 67: Summer: Waltz of the Cornflowers and the Poppies | Alexander Glazunov, Slovak Radio Symphony Orchestra | D Major | 1 | 10B | 100 BPM | ||
Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, Staatskapelle Dresden, Silvio Varviso | D Major | 0 | 10B | 121 BPM | ||
Carmen Ballet Suite (after Bizet): IX. Torero | Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut | F Major | 5 | 7B | 115 BPM | ||
Prince Igor, Act II: Polovtsian Dances, Dance I | Alexander Borodin, Paavo Järvi, Orchestre Philharmonique de Radio France | F Major | 1 | 7B | 97 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Il Barbiere di Siviglia: Finora in questa camera - Ehi, di casa! | Gioachino Rossini, Cesare Sterbini, Hertha Glaz, Giuseppe Di Stefano, Salvatore Baccaloni, Lily Pons, Jerome Hines, Alberto Erede | F Major | 2 | 7B | 79 BPM | ||
Norma / Act 1: Casta Diva | Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | F Major | 1 | 7B | 67 BPM | ||
5 Military Marches, Op. 39, "Pomp and Circumstance": No. 1 in D Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | D Major | 3 | 10B | 127 BPM |
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