Carl Philipp Emanuel Bach, Ana-Marija Markovina's 'Keyboard Sonata in D Minor, Wq. 54/3, H. 184: II. Larghetto' came out on April 29, 2014. The duration of Keyboard Sonata in D Minor, Wq. 54/3, H. 184: II. Larghetto is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Keyboard Sonata in D Minor, Wq. 54/3, H. 184: II. Larghetto's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 40 in C.P.E. Bach: The Complete Works for Piano Solo, Vol. 7 by Carl Philipp Emanuel Bach, Ana-Marija Markovina. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Keyboard Sonata in D Minor, Wq. 54/3, H. 184: II. Larghetto is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Keyboard Sonata in D Minor, Wq. 54/3, H. 184: II. Larghetto by Carl Philipp Emanuel Bach, Ana-Marija Markovina is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasie in G Major, WAB 118 | Anton Bruckner, Ana-Marija Markovina | A Minor | 1 | 8A | 120 BPM | ||
Die Auferstehung und Himmelfahrt Jesu, H. 777, Wq. 240, Pt. 1: No. 8. Rezitativ, "Wer ist die Sionitin" (Baritone) | Carl Philipp Emanuel Bach, Karl Wilhelm Ramler, Il Gardellino, Bart Van Reyn, Andreas Wolf | D Major | 4 | 10B | 124 BPM | ||
12 German Dances, D790: No.6 | Franz Schubert, Mitsuko Uchida | A♭ Major | 0 | 4B | 111 BPM | ||
Die Auferstehung und Himmelfahrt Jesu, H. 777, Wq. 240, Pt. 2: No. 9. Aria, "Ihr Tore Gottes, öffnet euch!" (Baritone) | Carl Philipp Emanuel Bach, Karl Wilhelm Ramler, Il Gardellino, Bart Van Reyn, Andreas Wolf | D Major | 4 | 10B | 124 BPM | ||
Premières valses: III. Ninette | Reynaldo Hahn, Pavel Kolesnikov | G Major | 0 | 9B | 76 BPM | ||
Notebook for Anna Magdalena Bach, Minuet in G Minor, BWV Anh. 115: Allgretto | Ben Quine | C Major | 1 | 8B | 74 BPM | ||
6 Favoritwalzer: No. 1, J. 143 | Carl Maria von Weber, Michael Endres | D Major | 1 | 10B | 126 BPM | ||
Piano Sonatina in F Major, Op. 88, No. 4: I. Allegro molto | Friedrich Kuhlau, Jenő Jandó | F Major | 1 | 7B | 145 BPM | ||
Cinq Nocturnes: No. 1, Doux Et Calme | Erik Satie, Irene Cantos | G Major | 3 | 9B | 43 BPM | ||
25 Ètudes Faciles Et Progressives, Op. 100: XVII. Babillarde | Franz Burgmüller, Benedikt David | F Major | 2 | 7B | 181 BPM |
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