Sir Arthur Sullivan, William Schwenck Gilbert, Martyn Green, Lehman Engel, Columbia Operetta Chorus's ' "The Nightmare Song" was released on its scheduled release date, April 11, 2023. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of When I Was A Lad by Sir Arthur Sullivan, William Schwenck Gilbert, Martyn Green, Lehman Engel, Columbia Operetta Chorus. The song's track number on the album is #12 out of 16 tracks. Based on our data, Italy was the country where this track was produced or recorded. In terms of popularity, The Nightmare Song is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since The Nightmare Song by Sir Arthur Sullivan, William Schwenck Gilbert, Martyn Green, Lehman Engel, Columbia Operetta Chorus has a tempo of 108 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With The Nightmare Song being at 108 BPM, the half-time would be 54 BPM with a double-time of 216 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Magic Flute, Act I: Have mercy, have mercy | Wolfgang Amadeus Mozart, Sir Charles Mackerras, London Philharmonic Orchestra, Barry Banks, Majella Cullagh, Sarah Fox, Diana Montague | E♭ Major | 2 | 5B | 131 BPM | ||
17. Strephon's a member of Parliament | Arthur Sullivan, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | C Major | 2 | 8B | 78 BPM | ||
1. If you want to know who we are | Arthur Sullivan, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | G Major | 3 | 9B | 121 BPM | ||
Messa di Gloria: IX. Cum Sancto Spiritu | Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català | C Major | 2 | 8B | 122 BPM | ||
Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 1, Der Engel | Richard Wagner, Kathrin Zukowski, KammerMusikKöln | E♭ Major | 1 | 5B | 69 BPM | ||
Five Elizabethan Songs: V. Spring | Ivor Gurney, Jodie Devos, Nicolas Krüger | E Major | 1 | 12B | 95 BPM | ||
Bellini: La straniera, Act 1: "Campo ai veltri" (Osburgo, Chorus) | Vincenzo Bellini, David Parry, London Philharmonic Orchestra | A♭ Major | 1 | 4B | 92 BPM | ||
The Merry Widow / Act 1: March from Introduction - Duet: A Highly Respectable Wife | Franz Lehár, Valerie Masterson, John Brecknock, National Philharmonic Orchestra, Richard Bonynge | C Major | 2 | 8B | 89 BPM | ||
Momele | Al Goodhart, Cheri Rose Katz | A Major | 2 | 11B | 153 BPM | ||
Che fiero costume | Giovanni Legrenzi, Elisabetta Pallucchi, Filippo Farinelli | F Minor | 0 | 4A | 127 BPM |