Johann Sebastian Bach, Lang Lang's 'Goldberg Variations, BWV 988: Variatio 21 Canone alla Settima. (a 1 Clav.)' came out on February 12, 2021. With this song being about 5 minutes long, at 4:36, "Goldberg Variations, BWV 988: Variatio 21 Canone alla Settima. (a 1 Clav.)" by Johann Sebastian Bach, Lang Lang is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 22 out of 78 in Bach: Goldberg Variations (Extended Edt.) by Johann Sebastian Bach, Lang Lang, Gottfried Heinrich Stölzel, Johann Gottlieb Goldberg, Robert Schumann. In terms of popularity, Goldberg Variations, BWV 988: Variatio 21 Canone alla Settima. (a 1 Clav.) is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Goldberg Variations, BWV 988: Variatio 21 Canone alla Settima. (a 1 Clav.) by Johann Sebastian Bach, Lang Lang is Moderato (at a moderate speed), since this song has a tempo of 117 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 14: Nicht zu langsam (Canon in Hypodiatesseron per Augmentationem in Contrario Motu) | Reinhard Febel, Johann Sebastian Bach, Tal & Groethuysen | D Minor | 0 | 7A | 102 BPM | ||
English Suite No. 4 in F Major, BWV 809: VI. Menuet II | Johann Sebastian Bach, Glenn Gould | D Minor | 2 | 7A | 113 BPM | ||
Was mir behagt, ist nur die muntre Jagd, BWV 208 "Hunt Cantata": No. 3, Wie, schönste Göttin? wie? | Johann Sebastian Bach, Sophie Junker, Joanne Lunn, Makoto Sakurada, Roderick Williams, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki Suzuki | A Major | 1 | 11B | 169 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : VI. Allegro | Arcangelo Corelli, Anna Holbling, Quido Holbling, Daniela Ruso, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 126 BPM | ||
Oboe Concerto in G Minor, Op. 9, No. 8: II. Adagio | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | B♭ Major | 1 | 6B | 89 BPM | ||
Suite en La: Quatrième double | Jean-Philippe Rameau, Alexandre Tharaud | C Major | 2 | 8B | 115 BPM | ||
Fantasia in C minor, K.475: Adagio | Wolfgang Amadeus Mozart, András Schiff | D Major | 0 | 10B | 130 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: I. Allegro e non presto | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 2 | 7A | 145 BPM | ||
Concerto Grosso In C Minor, Op. 6, No. 3 : I. Largo | Arcangelo Corelli, Ludovit Kanta, Anna Holbling, Quido Holbling, Daniela Ruso, Capella Istropolitana | C Minor | 1 | 5A | 92 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 103 BPM |
Section: 1.0538990497589111
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