George Frideric Handel, Gabrieli, Paul McCreesh made "Solomon HWV 67 / Act 3: Sinfony" available on January 1, 1999. The duration of Solomon HWV 67 / Act 3: Sinfony is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Solomon HWV 67 / Act 3: Sinfony's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, Gabrieli, Paul McCreesh's "Handel: Solomon HWV 67" album is number 1 out of 63. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Solomon HWV 67 / Act 3: Sinfony's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Solomon HWV 67 / Act 3: Sinfony by George Frideric Handel, Gabrieli, Paul McCreesh to be Allegro (fast, quick, and bright) because the track has a tempo of 126 BPM, a half-time of 63BPM, and a double-time of 252 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rinaldo, HWV 7b: Act II Scene 4: Aria: Lascia ch’io pianga (Almirena) | George Frideric Handel, Marion Newman, Laura Whalen, Kimberley Barber, Jennifer Ens Modolo, Sean Watson, Barbara Hannigan, Giles Tomkins, Nicole Bower, Catherine Affleck, Melinda Delorme, Lenard Whiting, Opera in Concert, Aradia Ensemble, Kevin Mallon | D Minor | 5 | 7A | 155 BPM | ||
Oboe Concerto in D Minor, S.Z799: II. Adagio | Alessandro Marcello, Raymond Leppard, English Chamber Orchestra | D Minor | 1 | 7A | 70 BPM | ||
String Quintet in E Major, Op. 13, No. 5: III. Minuetto | Luigi Boccherini, Lazar Gosman | A Major | 1 | 11B | 99 BPM | ||
Harp Concerto in G Major: III. Vivace | Georg Christoph Wagenseil, Roberta Alessandrini, Mantova Orchestra, Vittorio Parisi | G Major | 1 | 9B | 77 BPM | ||
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | ||
Symphony No. 5 In C Sharp Minor: 4. Adagietto (Sehr langsam) | Gustav Mahler, Concertgebouworkest, Riccardo Chailly | F Major | 0 | 7B | 82 BPM | ||
La Fille du Régiment, Act I, Scene 11: Air de Marie "Il faut partir" (Arr. for Piano & Viola) | Gaetano Donizetti, Antoine Tamestit, Cédric Tiberghien | F Minor | 0 | 4A | 76 BPM | ||
Keyboard Suite No. 1 (Set II) in B-Flat Major, HWV 434: IV. Menuet (arr. W. Kempff for piano) | Wilhelm Kempff, George Frideric Handel, Roberto Cominati | G Minor | 0 | 6A | 60 BPM | ||
Bach, CPE: Cello Concerto in A Major, Wq. 172: III. Allegro assai (Cadenza by Mørk) | Carl Philipp Emanuel Bach, Truls Mørk, Bernard Labadie, Les Violins du Roy | D♭ Minor | 3 | 12A | 109 BPM | ||
Overture (Suite) in B-Flat Major, TWV 55:B2: Aria IV: Sarabande | Georg Philipp Telemann, La Stagione Frankfurt, Michael Schneider | A Major | 1 | 11B | 98 BPM |
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