"Mahler: Symphony No. 2 in C Minor, "Resurrection": II. Andante moderato - Live" by Gustav Mahler, Royal Concertgebouw Orchestra, Daniele Gatti was released on 2017. Mahler: Symphony No. 2 in C Minor, "Resurrection": II. Andante moderato - Live appears to be safe for all ages as it is not explicit. The track order of this song in Gustav Mahler, Royal Concertgebouw Orchestra, Daniele Gatti's "Mahler: Symphony No. 2, "Resurrection" (Live)" album is number 2 out of 5. On top of that, Netherlands appears to be the country where this track was created. Mahler: Symphony No. 2 in C Minor, "Resurrection": II. Andante moderato - Live is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mahler: Symphony No. 2 in C Minor, "Resurrection": II. Andante moderato - Live by Gustav Mahler, Royal Concertgebouw Orchestra, Daniele Gatti to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite pastorale: I. Idylle | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | F Major | 0 | 7B | 105 BPM | ||
L'Arlésienne Suite No. 1, WD 40: 3. Adagietto | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | F Major | 0 | 7B | 86 BPM | ||
Symphony No. 8 in E Flat Major "Symphony of a Thousand" / Pt. 1: Accende lumen sensibus | Gustav Mahler, Tamara Wilson, Leah Crocetto, Mihoko Fujimura, Tamara Mumford, Simon O'Neill, Ryan McKinny, Morris Robinson, Los Angeles Master Chorale, Pacific Chorale, Los Angeles Children's Chorus, National Children’s Chorus, Los Angeles Philharmonic, Gustavo Dudamel | B♭ Major | 5 | 6B | 136 BPM | ||
La mer, L. 109: II. Jeux de vagues | Claude Debussy, Orchestre National De Lyon, Jun Markl | E Major | 1 | 12B | 84 BPM | ||
Pelléas et Mélisande, Op.80: 1. Prélude | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 134 BPM | ||
Symphony No.2 in C minor - "Resurrection" / 5th Movement: Wieder zurückhaltend | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | F♯ Major | 1 | 2B | 132 BPM | ||
Reves | David Abramovitz, Claire Brua, Maurice Ravel | G Minor | 0 | 6A | 89 BPM | ||
The Rite of Spring: Part One: Adoration of the Earth: The Augurs of Spring - Dance of the Young Girls | Igor Stravinsky, Teodor Currentzis, musicAeterna | B♭ Major | 3 | 6B | 120 BPM | ||
Die tote Stadt (The Dead City), Op. 12: Act I Scene 5: Gluck, das mir verblieb (Marietta, Paul) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | B♭ Major | 1 | 6B | 83 BPM | ||
Symphony No. 2 in C Minor "Resurrection": II. Andante moderato | Gustav Mahler, Leonard Bernstein, New York Philharmonic | A♭ Major | 0 | 4B | 72 BPM |
Section: 0.7950029373168945
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