Introduction and Rondo capriccioso in A minor Op. 28 - Camille Saint-Saëns, Sarah Chang, Philadelphia Orchestra, Wolfgang Sawallisch Information

Acousticness: 89%
Danceability: 31%
Energy: 11%
Instrumentalness: 35%
Liveness: 6%
Loudness: 61%
Speechiness: 5%
Valence: 20%
Popularity: 20%
Loudness: -23.529 dB

Summary

Camille Saint-Saëns, Sarah Chang, Philadelphia Orchestra, Wolfgang Sawallisch's 'Introduction and Rondo capriccioso in A minor Op. 28' came out on January 1, 1994. Since Introduction and Rondo capriccioso in A minor Op. 28 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 5 in the song's album "Sarah Chang - Paganini & Saint-Saens Violin Concertos". In this album, this song's track order is #5. In terms of popularity, Introduction and Rondo capriccioso in A minor Op. 28 is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Introduction and Rondo capriccioso in A minor Op. 28 BPM

With Introduction and Rondo capriccioso in A minor Op. 28 by Camille Saint-Saëns, Sarah Chang, Philadelphia Orchestra, Wolfgang Sawallisch having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Introduction and Rondo capriccioso in A minor Op. 28 Key

A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace - Poco piu presto	Johannes Brahms, Julia Fischer, Yakov Kreizberg, Netherlands Philharmonic Orchestra	G Major	2	9B	89 BPM
Slavonic Dances, Op. 72, B. 147: No. 2, Dumka	Antonín Dvořák, George Szell, Cleveland Orchestra	C Major	2	8B	101 BPM
Fauré: Pavane, Op. 50	Gabriel Fauré, Paul Tortelier, English Chamber Orchestra	F♯ Major	0	2B	111 BPM
Violin Concerto No. 2 in E, BWV 1042: 1. Allegro	Johann Sebastian Bach, Julia Fischer, Academy of St. Martin in the Fields	E Major	3	12B	102 BPM
Le Carnaval des Animaux: Finale	Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm	D Minor	3	7A	101 BPM
Violin Concerto In A Minor, BWV 1041: III. Allegro Assai	Johann Sebastian Bach, Capella Istropolitana, Alexander Jablokov, Takako Nishizaki	A Minor	2	8A	118 BPM
An die Musik, D. 547 - Arr. for Arpeggione and Piano	Franz Schubert, Anne Gastinel, Claire Désert	D Major	0	10B	91 BPM
Zapateado Op. 23	Pablo de Sarasate, Sarah Chang, Charles Abramovic	A Major	3	11B	113 BPM
Capriccio Espagnol, Op.34: 4. Scena e canto gitano	Nikolai Rimsky-Korsakov, Gothenburg Symphony Orchestra, Neeme Järvi	F Major	2	7B	122 BPM
Overture to "La forza del destino"	Giuseppe Verdi, Riccardo Muti, Orchestra Filarmonica Della Scala	E Minor	1	9A	76 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6695094108581543

End: 0.6739175319671631