"Serenade in B-Flat Major, K. 361 "Gran Partita": II. Menuetto (Allegretto) - Trio I-II" by Wolfgang Amadeus Mozart, Orpheus Chamber Orchestra was released on January 1, 2001. Serenade in B-Flat Major, K. 361 "Gran Partita": II. Menuetto (Allegretto) - Trio I-II appears to be safe for all ages as it is not explicit. The track order of this song in Wolfgang Amadeus Mozart, Orpheus Chamber Orchestra's "Mozart, W.A.: The Wind Concertos / Serenades / Divertimenti" album is number 2 out of 83. On top of that, Germany appears to be the country where this track was created. Serenade in B-Flat Major, K. 361 "Gran Partita": II. Menuetto (Allegretto) - Trio I-II is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Serenade in B-Flat Major, K. 361 "Gran Partita": II. Menuetto (Allegretto) - Trio I-II by Wolfgang Amadeus Mozart, Orpheus Chamber Orchestra to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Viola and Orchestra in G Major: I. Largo | Georg Philipp Telemann, Capella Istropolitana, Paul Kantschieder | E♭ Major | 2 | 5B | 111 BPM | ||
String Quartet No. 2 in D Major, K. 155: I. Allegro | Eder Quartet | D Major | 1 | 10B | 128 BPM | ||
Requiem In D Minor, K. 626: Offertory: I. Domine Jesu Christe | Slovak Philharmonic, Slovak Philharmonic Chorus, Vladimir Ruso, Magdaléna Hajóssyová, Stefan Klimo, Peter Mikulas, Jozef Kundlák, Jaroslava Horska, Wolfgang Amadeus Mozart | G Minor | 2 | 6A | 91 BPM | ||
Klavier-Quintett, A-Dur, op. 114, D 667: Andante | Caspar Da Salo Quintett | C Major | 0 | 8B | 104 BPM | ||
String Quartet No. 1 in G Major, K. 80: III. Menuetto | Eder Quartet | G Major | 0 | 9B | 124 BPM | ||
Concerto for Flute and Harp in C Major, K. 299: III. Allegro | Wolfgang Amadeus Mozart, Jiří Válek, Hana Mullerova, Capella Istropolitana, Richard Edlinger | C Major | 1 | 8B | 88 BPM | ||
6 Violin Sonatas, Op. 10b No. 1 in F Major, J. 99: III. Rondo: Amabile | Carl Maria von Weber, Frederieke Saeijs, Nino Gvetadze | F Major | 1 | 7B | 97 BPM | ||
Quatuor No. 3 sol mineur: Rondeau | Joseph Boulogne Chevalier de Saint-Georges, Quatuor à Cordes Jean-Noël Molard, Jean-Pierre Lacour, Jacques Watelle, Robert Duval | G Major | 1 | 9B | 80 BPM | ||
Haydn: Symphony No. 92 in G Major, Hob. I:92 "Oxford": II. Adagio | Joseph Haydn, Sir Simon Rattle, Berliner Philharmoniker | B♭ Major | 1 | 6B | 75 BPM | ||
Boccherini: Cello Concerto No. 7 in G Major, G. 480: II. Adagio | Luigi Boccherini, Steven Isserlis, Ostrobothnian Chamber Orchestra, Juha Kangas | D♭ Major | 1 | 3B | 121 BPM |
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