"Haydn: Symphony No. 92 in G Major, Hob. I:92 "Oxford": II. Adagio" by Joseph Haydn, Sir Simon Rattle, Berliner Philharmoniker was released on August 3, 2007. Since Haydn: Symphony No. 92 in G Major, Hob. I:92 "Oxford": II. Adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Joseph Haydn, Sir Simon Rattle, Berliner Philharmoniker's "Haydn: Symphonies Nos 88-92 & Sinfonia Concertante" album is number 6 out of 24. On top of that, United Kingdom appears to be the country where this track was created. Haydn: Symphony No. 92 in G Major, Hob. I:92 "Oxford": II. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Haydn: Symphony No. 92 in G Major, Hob. I:92 "Oxford": II. Adagio by Joseph Haydn, Sir Simon Rattle, Berliner Philharmoniker to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in G Major, Op. 3, No. 6, W. C6: III. Allegro assai | Johann Christian Bach, Camerata De Budapest, Hanspeter Gmür | D Major | 1 | 10B | 84 BPM | ||
Violin Concerto No. 4 in D Minor, Op. 31: IV. Finale marziale: Andante - Allegro | Henri Vieuxtemps, Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi | D Major | 2 | 10B | 78 BPM | ||
Violin Sonata in F Minor, Op. 4, MWV Q12: III. Allegro agitato | Felix Mendelssohn, Tianwa Yang, Romain Descharmes | A♭ Major | 2 | 4B | 142 BPM | ||
Peer Gynt Suite No.1, Op.46: 4. In The Hall Of The Mountain King | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 92 BPM | ||
Cello Concerto No. 1 in G Major: III. Rondo: Allegro | Carl Stamitz, Christian Benda, Prague Chamber Orchestra | G Major | 1 | 9B | 137 BPM | ||
Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | E Minor | 1 | 9A | 76 BPM | ||
Faust, Ballet Music (1869): 6. Variations du miroir (Allegretto) | Charles Gounod, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 90 BPM | ||
Symphony No. 3 in A Minor, Op. 56, MWV N 18 - "Scottish": III. Adagio | Felix Mendelssohn, Berliner Philharmoniker, Herbert von Karajan | A Minor | 2 | 8A | 95 BPM | ||
String Quartet No. 13 In A Minor, D. 804 "Rosamunde": 2. Andante | Franz Schubert, Emerson String Quartet | C Major | 1 | 8B | 75 BPM | ||
Piano Quartet In E Flat, Op.87, B. 162: 3. Allegro moderato,grazioso | Antonín Dvořák, Menahem Pressler, Emerson String Quartet | E♭ Major | 1 | 5B | 60 BPM |
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