"Vaughan Williams: Job, a Masque for Dancing, Scene 1: Introduction" by Ralph Vaughan Williams, Richard Hickox, Bournemouth Symphony Orchestra was released on October 7, 2022. Vaughan Williams: Job, a Masque for Dancing, Scene 1: Introduction is about six minutes long, preciously at 6:17, making this song fairly long compared to other songs. This song is part of Vaughan Williams: Job & Variations for Orchestra by Ralph Vaughan Williams, Richard Hickox, Bournemouth Symphony Orchestra. The song's track number on the album is #13 out of 24 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Vaughan Williams: Job, a Masque for Dancing, Scene 1: Introduction is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Vaughan Williams: Job, a Masque for Dancing, Scene 1: Introduction by Ralph Vaughan Williams, Richard Hickox, Bournemouth Symphony Orchestra has a tempo of 52 beats per a minute, the tempo markings of this song would be Lento (slowly). With Vaughan Williams: Job, a Masque for Dancing, Scene 1: Introduction being at 52 BPM, the half-time would be 26 BPM with a double-time of 104 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scheherazade: Calm at Sea | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 2 | 12B | 84 BPM | ||
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: IV. Italiana | Ottorino Respighi, Konstantin Scherbakov | B Minor | 0 | 10A | 197 BPM | ||
Sospiri, Op. 70 | Edward Elgar, English Chamber Orchestra, Osian Ellis, Paul Goodwin | F Major | 0 | 7B | 113 BPM | ||
The Moon (version for strings) | William Lloyd Webber, English Chamber Orchestra, Julian Lloyd Webber | G Minor | 2 | 6A | 79 BPM | ||
3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) | Clara Schumann, Sophie Kauer, Kunal Lahiry | D♭ Major | 0 | 3B | 68 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato | Bedřich Smetana, Jitka Čechová | A Minor | 0 | 8A | 66 BPM | ||
Three Romances for Violin and Piano, Op. 22: I. Andante molto | Clara Schumann, Esther Abrami, Iyad Sughayer | D♭ Major | 2 | 3B | 81 BPM | ||
Slovak Suite, Op. 32: I. In the Church. Andante | Vítězslav Novák, Prague Philharmonia, Jiří Bělohlávek | G Major | 1 | 9B | 73 BPM | ||
Warsaw Concerto | Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | B Major | 1 | 1B | 76 BPM | ||
L'Arlésienne Suite No. 2: Menuet | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 128 BPM |
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